It is a modest space, an angular, cramped room with exposed pipes overhead, a concrete floor. On all sides sprout wooden shelves laden with three thousand books and journals, photographs, slides, programs, and memorabilia – the Juana de Laban Collection, now housed at the Dallas Theater Center. To find the collection, one must climb narrow stairs and burrow through the Theater's wardrobe area to the tiny room beyond that houses the material lovingly collected by that bright and fiercely proud dance historian and critic who was also, overwhelmingly, the daughter of Rudolf Laban.

Any scholar's library reflects his heart and mind, his interests and aspirations, his education. Juana de Laban's collection reveals an intellect remarkably catholic in its taste, astonishing in its breadth. It is the sort of library that skips across disciplines to include volumes on anthropology, psychology, history, aesthetics and criticism, all related to the study of human movement.