Hostname: page-component-5c6d5d7d68-ckgrl Total loading time: 0 Render date: 2024-08-29T23:28:39.709Z Has data issue: false hasContentIssue false

IV. The Critical Burden of History

Published online by Cambridge University Press:  22 July 2014

Deborah Jowitt
Affiliation:
New York University, The Village Voice

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Dialogues
Copyright
Copyright © Congress on Research in Dance 2000

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abrahams, Ruth K.Introduction to ‘The Non-Art of the Dance.’Journal for the Anthropological Study of Human Movement I/1 (Spring 1980): 36-37.Google Scholar
Adshead-Lansdale, Janet and Sparti, Barbara. “Dialogue: Dance History—Current Methodologies.” Dance Research Journal 28/1 (Spring 1996): 3-6.Google Scholar
Banes, Sally. Dancing Women: Female Bodies on Stage. London: Routledge, 1998.Google Scholar
Baxandall, Michael. Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style 2nd. ed.New York: Oxford University Press, 1988.Google Scholar
Beaumont, Cyril. The Complete Book of Ballets. New York: G.P. Putnam's Sons, 1938.Google Scholar
Conner, Lynn. Spreading the Gospel of the Modern Dance: Newspaper Dance Criticism in the United States 1850-1934. Pittsburgh: University of Pittsburgh Press, 1997.Google Scholar
Copeland, Roger and Cohen, Marshall, eds. What Is Dance?: Readings in Theory and Criticism. New York: Oxford University Press, 1983.Google Scholar
Croce, Arlene. Afterimages. New York: Alfred A. Knopf. 1977.Google Scholar
Croce, Arlene. Going to Dance. New York: Alfred A. Knopf, 1982.Google Scholar
Croce, ArleneSightlines. New York: Alfred A. Knopf, 1987.Google Scholar
Daly, Ann. “The Balanchine Woman: Of Hummingbirds and Channel Swimmers.” The Drama Review 31/1 (Tl 13, Spring 1987): 8-21.CrossRefGoogle Scholar
Daly, Ann. Done Into Dance: Isadora Duncan in America. Bloomington: Indiana University Press, 1995.Google Scholar
Danto, Arthur. “Caravaggio's Gaze.” The Lingua Franca Book Review (Fall 1998): 10-11.Google Scholar
de Mille, Agnes. Dance to the Piper. Boston: Little, Brown, & Company, 1952.Google Scholar
Denby, Edwin. Dance Writings. Edited by Cornfield, Robert and Mackay, William. New York: Alfred A. Knopf, 1986.Google Scholar
Duncan, Isadora. My Life. New York: Horace Liverwright, Inc., 1927.Google Scholar
Foster, Susan Leigh. Reading Dancing: Bodies and Subjects in Contemporary American Dance. Berkeley: University of California Press, 1986.Google Scholar
Foster, Susan Leigh, ed. Choreographing History. Bloomington: Indiana University Press, 1995.Google Scholar
Franko, Mark. Dancing Modernism/Performing Politics. Bloomington: Indiana University Press, 1995.Google Scholar
Fuss, Diana. Essentially Speaking: Feminism, Nature, and Difference. London: Routledge, 1989.Google Scholar
Garafola, Lynn. Diaghilev's Ballets Russes. New York: Oxford University Press, 1989.Google Scholar
Geertz, Clifford. Local Knowledge. New York: Basic Books, 1983.Google Scholar
Goellner, Ellen W. and Murphy, Jacqueline Shea, eds. Bodies of the Text: Dance as Theory, Literature as Dance. New Brunswick, NJ: Rutgers University Press, 1995.Google Scholar
Graff, Ellen. Stepping Left: Dance and Politics in New York City 1928-1942. Durham, NC: Duke University Press, 1997.Google Scholar
Holmes, Olive, ed. Motion Arrested: Dance Reviews of H.T. Parker. Middletown, CT: Wesleyan University Press, 1982.Google Scholar
Johnston, Jill. Marmalade Me. New ed. Middletown, CT: Wesleyan University Press, 1998.Google Scholar
Deborah, Jowitt. Review of Susan Foster, ed. Choreographing History. Dance Research XV/1 (Summer 1997): 108-114.Google Scholar
Karsavina, Tamara. Theatre Street. New York: E.P. Dutton & Company, Inc., 1931.Google Scholar
Kendall, Elizabeth. Where She Danced. New York: Alfred A. Knopf, 1979.Google Scholar
Kirstein, Lincoln. Dance: A Short History of Classic Theatrical Dancing. 1935. Reprint. Brooklyn, New York: Dance Horizons, 1969.Google Scholar
Koritz, Amy. Gendering Bodies/Performing Art: Dance and Literature in Early Twentieth-Century British Culture. Ann Arbor: University of Michigan Press, 1995.Google Scholar
Lloyd, Margaret. The Borzoi Book of Modern Dance. 1949. Reprint. Brooklyn, New York: Dance Horizons, n.d.Google Scholar
Manning, Susan Alleyne. Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman. Berkeley: University of California Press, 1993.Google Scholar
Novack, Cynthia J.Sharing the Dance: Contact Improvisation and American Culture. Madison: University of Wisconsin Press, 1990.Google Scholar
Padgette, Paul, ed. The Dance Writings of Carl Van Vechten. Brooklyn, NY: Dance Horizons, 1974.Google Scholar
Regalado, Nancy Freeman. “Monumentalizing Performance.” Paper presented at the conference, Medieval Theater in a Culture of Performance, Yale University, 27 April-1 May, 1996.Google Scholar
Ruyter, Nancy Lee Chalfa. Reformers and Visionaries: The Americanization of the Art of Dance. Brooklyn, N. Y: Dance Horizons, 1979.Google Scholar
Shelton, Suzanne. Divine Dancer: A Biography of Ruth St. Denis. New York: Doubleday & Company, Inc., 1981.Google Scholar
Siegel, Marcia B.At the Vanishing Point: A Critic Looks at Dance. New York: Saturday Review Press, 1972.Google Scholar
Siegel, Marcia B.Days on Earth: The Dance of Doris Humphrey. New Haven, CT: Yale University Press, 1987.Google Scholar
Siegel, Marcia B.The Tail of the Dragon: New Dance 1976-1982. Durham, NC: Duke University Press, 1991.Google Scholar
Siegel, Marcia B.Watching the Dance Go By. Boston: Houghton Mifflin, 1977.Google Scholar
Sontag, Susan. Against Interpretation and Other Essays. New York: Dell Publishing Company, Inc., 1966.Google Scholar
Sparti, Barbara. See under: Adshead-Lansdale, Janet and Barbara Sparti.Google Scholar
Terry, Walter. “Walter Terry Interviews John Martin.” Dance Magazine (January 1956): 36-39, 66-69.Google Scholar
Toepfer, Karl. Empire of Ecstasy. Nudity and Movement in German Body Culture, 1910-1938. Berkeley: University of California Press, 1997.CrossRefGoogle Scholar