Hostname: page-component-84b7d79bbc-rnpqb Total loading time: 0 Render date: 2024-07-28T02:35:44.946Z Has data issue: false hasContentIssue false
  • English
  • Français

The Body, Dance and Cultural Theory, by Helen Thomas. 2003. Houndmilh and New York: Palgrave Macmillan. x + 262 pp., notes, bibliography, index. $ 24.95 paper.

Review products

The Body, Dance and Cultural Theory, by Helen Thomas. 2003. Houndmilh and New York: Palgrave Macmillan. x + 262 pp., notes, bibliography, index. $ 24.95 paper.

Published online by Cambridge University Press:  22 July 2014

Susan Manning
Susan Manning*
Affiliation:
Northwestern University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Dance Research Journal , Volume 36 , Issue 2 , Winter 2004 , pp. 166 - 169
Copyright
Copyright © Congress on Research in Dance 2004

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Adshead, Janet, ed. 1988. Dance Analysis: Theory and Practice. London: Dance Books.Google Scholar
Adshead-Lansdale, Janet, ed. 1999. Dancing Texts: Intertextuality in Interpretation. London: Dance Books.Google Scholar
Csordas, Thomas J. 1994. Embodiment and Experience: The Existential Ground of Culture and Self. Cambridge: Cambridge University Press.Google Scholar
Csordas, Thomas J. 1993. “Somatic Modes of Attention.” Cultural Anthropologist 8:2: 135–56.CrossRefGoogle Scholar
Crossley, Nick. 1994. The Politics of Subjectivity: Between Foucault and Merleau-Ponty. Cambridge: Cambridge University Press.Google Scholar
DeFrantz, Thomas, ed. 2002. Dancing Many Drums: Excavations in African American Dance. Madison, WI: University of Wisconsin Press.Google Scholar
Desmond, Jane, ed. 2001. Dancing Desires: Choreographing Sexualities On & Off the Stage. Madison, WI: University of Wisconsin Press.Google Scholar
Desmond, Jane, ed. 1997. Meaning in Motion: New Cultural Studies of Dance. Durham and London: Duke University Press.CrossRefGoogle Scholar
Doolittle, Lisa and Flynn, Anne, eds. 2000. Dancing Bodies, Living Histories: New Writings about Dance and Culture. Banff: Banff Centre Press.Google Scholar
Dunham, Katherine. 1969. Island Possessed. New York: Doubleday.Google Scholar
Foster, Susan Leigh, ed. 1996. Corporealities: Dancing Knowledge, Culture and Power. London and New York: Rout-ledge.Google Scholar
Foster, Susan Leigh, ed. 1995. Choreographing History. Bloomington, IN: Indiana University Press.Google Scholar
Foster, Susan Leigh, ed. 1986. Reading Dancing: Bodies and Subjects in Contemporary American Dance. Berkeley: University of California Press.Google Scholar
Fraleigh, Sondra Horton and Hanstein, Penelope, eds. 1999. Researching Dance: Evolving Modes of Inquiry. Pittsburgh: University of Pittsburgh Press.Google Scholar
Goellner, Ellen W. and Murphy, Jacqueline Shea, eds. 1995. Bodies of the Text: Dance as Theory, Literature as Dance. New Brunswick, NJ: Rutgers University Press.Google Scholar
Jackson, Shannon. 2004. Professing Performance: Theatre in the Academy from Philology to Performativity. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Lepecki, André, ed. 2004. Of the Presence of the Body: Essays on Dance and Performance Theory. Middletown, CT: Wesleyan University Press.Google Scholar
Morris, Gay, ed. 1996. Moving Words: ReWriting Dance. London and New York: Routledge.Google Scholar
Thomas, Helen, ed. 1997. Dance in the City. New York: St. Martin's Press.CrossRefGoogle Scholar
Thomas, Helen, ed. 1997. 1993. Dance, Gender and Culture. New York: St. Martin's Press.Google Scholar