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The Apocalypse of John and the Liturgy of the Ancient Church

Published online by Cambridge University Press:  28 July 2009

Otto A. Piper
Affiliation:
Princeton Theological Seminary

Extract

Interpretations of the last book of the New Testament usually dwell upon its visions of things to come. Except for its prayers and hymns, however, little attention has been paid to its liturgical character. This fact is the more surprising since it is just in that respect that the Apocalypse of John differs mostly strikingly from other Jewish and Christian apocalyptic writings. Its visions are presented within a framework of liturgical activities, and toward the end of the book it is hardly possible to dissociate the acts of worship from the visions of the future. This close relationship shows that its liturgical portions are not a purely literary device. Rather in the Seer's mind they form part of the revelatory process itself representing the reaction of initiated creatures to the gradual disclosure of the saving purpose of God and its execution. From the historical viewpoint, this liturgical framework of the Apocalypse of John is interesting, because it contains a number of features which, in a similar manner, occur also in the liturgies of the Ancient Church. Thus it is from the liturgical character of the Apocalypse that the historical development of the Christian liturgy becomes intelligible. Out of the perplexing diversity of its types, the formative principle of its early stages emerges, and a number of motives become visible, some of which have determined its history to the present day. Others, which have no longer a vital role assigned to them, were, nevertheless, preserved on account of the significance originally attached to them. Among these features I mention the ideas of the Eucharistic Parousia, the Church's participation in the angelic worship, the emphasis placed upon the worthiness of the interpreter of Scripture, the connection between the Confession of Sins and the Eucharist, the separation of the believers and unbelievers prior to the heavenly meal, the celebration of the Eucharist as an act of the Church in its cosmic totality, the association of the Eucharist with the Judgment of the World, and the interpretation of the liturgy as a spiritual battle. It will suffice to single out two of these features, which for their lack of centrality in the liturgies are particularly apt to illustrate our point, viz. the participation of the Church in the angelic worship, and the worthiness of the interpreter of Scripture.

Type
Research Article
Copyright
Copyright © American Society of Church History 1951

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References

1 Characteristic of the modern approach to Revelation is the fact that in Christian Worship, Ten Lectures delivered in the Union Theological Seminary, New York, in the autumn of 1896–1897, the Apocalypse is completely ignored. Macdonald, Alexander B., in Christian Worship in the Primitive Church (1934)Google Scholar makes a few passing remarks. In Nielen, Joseph Maria, Gebet und Gottesdienst im Neuen Testament (1937)Google Scholar, Eng. Tr., The Earliest Christian Liturgy (1941)Google Scholar, the relatively numerous references to Revelation dwell almost exclusively upon non-essential points. The work is characteristic of the modern Roman Catholic treatment of the history of the liturgy. The overwhelming majority of Catholic students of the liturgy are interested in the Canon of the Mass and its historical antecedents only.

2 So, e.g. Victorinus, ' Commentarius in Apocalypsin (CSEL XXXIX), ch. IV, 3, both in the original form (p. 50, 45)Google Scholar and in Jerome, 's recension (p. 51, 67)Google Scholar. The same view is held by Milligan, W., Book of Revelation, 1889, p. 69.Google Scholar

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7 E.g. Ps. 103: 20ff; Ps. 148:1; ep. Ps. 69:34; Isa. 6:1–3.

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11 The praise of God, e.g. which the host of angels sings at the birth of Jesus (Lk. 2:13), lacks the participation of an earthly congregation. In Heb. 1:7Google Scholar, the quotation from Deut. 32:43bGoogle Scholar refers to the angelic adoration of the Son, though in the original context it may have spoken with reference to the heavenly worship of God. Cp. the “heavens” in the parallel member v. 43a.

12 See also Rev. 22:8–9.

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26 Br. p. 34, 29. The reference to the heavenly powers is probably influenced by Ps. 148:1–2 where angels and “powers” are called upon to praise God. The passage is already used by Justin (Dialogue 85, 24)Google Scholar as the basis of a theological idea.

27 Br. p. 42, 1–6.

28 Br. 58, 25–31 cp. Syriac Liturgy of St. James, Br. 29, 30–32.

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64 Rev. 1:10.Google Scholar

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67 Rev. 4:9.Google Scholar

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