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Religious Verse of English Recusant Poets

Published online by Cambridge University Press:  16 September 2015

Extract

The validity of bringing together the works of writers who may have little in common other than their religious allegiance is not something which could be justified in every age, especially within the current ecumenical climate. Two anthologies of Catholic poets, Shane Leslie's of 1925 and Frank Sheed's of 1943 may appear to today's reader rather more revelatory of the taste and beliefs of the compilers and their periods than of the poets concerned. Yet it can be claimed that scrutiny of the religious poetry of Catholic writers of the first half of the seventeenth century has a validity which might be lacking in a later period. If religious poetry is indeed the expression of sincere conviction, it is to be expected that writers who have different beliefs will differ also in the forms of expression they give to them in their poetry. In the light of this, the question may be asked as to how, in the seventeenth century, the religious poetry written by Catholics differs from that written by Protestants. The study of a large number of minor writers of this period leads to the conclusion that in the seventeenth century the choice and treatment of subject matter seems to be more integrally related to religious conviction than is the case in later periods.

Type
Research Article
Copyright
Copyright © Catholic Record Society 1995

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References

Notes

1 Leslie, S. An Anthology of Catholic Poets London: Burns Oates and Washboume, 1925,Google Scholar and Sheed, F.J. Poetry and Life London: Sheed and Ward, 1943.Google Scholar

2 Mostly from D.N.B. or Gillow's, J. Bibliographical Dictionary of the English Catholics London, 1885–1902.Google Scholar

3 A standard modern edition of the works of Crashaw, Richard is Works edited by Martin, L. C., Oxford: University Press, 1937,Google Scholar revised edition 1957.

4 Habington, William, Poems, ed. Allott, K., Liverpool, University Press, 1948.Google Scholar

5 Gardner, H. The Metaphysical Poets Harmondsworth: Penguin, 1957.Google Scholar

6 Beaumont, Sir John, Bosworth Field London, 1629.Google Scholar An edition of this and much of the rest of Beaumont's works (excluding The Crowne of Thornes) was published by Alexander Grosart as part of ‘The Fuller Worthies Library’ (Edinburgh, 1869).

7 Davies, John The Holy Roode London, 1609.Google Scholar

8 Walton, I. The Lives of John Donne, Sir Henry Wotton, Richard Hooker, George Herbert, Robert Sanderson London: Oxford University Press, 1927, p. 25.Google Scholar

9 Carey, John John Donne Oxford: University Press, pp. xxiii–v.Google Scholar

10 Abbot, J. Jesus Praefigured or a Poeme of the Holy Name n.p. [Antwerp], 1623.Google Scholar

11 Colman, W. La Danse Macabre or Death's Duell London, 1632/3.Google Scholar

12 William Alabaster (1567–1640) became a Catholic in 1596 and wrote a number of divine sonnets at the time. He reverted to Protestantism some years later.

13 Gardner, H. The Metaphysical Poets Harmondsworth: Penguin, p. 19.Google Scholar

14 Gardner, H. op.cit. p. 21.Google Scholar

15 Abbot, J. Jesus Praefigured [Antwerp], 1623, p. 46.Google Scholar

16 Gardner, H. op.cit. p. 19.Google Scholar

17 Grosart's edition of Sir John Beaumont's poems (Edinburgh, 1869) records the evidence for the pages being missing in nearly all extant copies; L. I. Guiney's research, as described in Newdigate's, B. H. article, ‘Sir John Beaumont's The Crowne of Thornes ’, in Review of English Studies 1942, vol. 18, p. 284 CrossRefGoogle Scholar supplies further information about his works.

18 Owens, R. The Historie of Purgatorie B.L. Additional MS 11427.

19 Freeman, R. English Emblem Books London: Chatto and Windus, p. 173 Google Scholar gives further information about the work of Hawkins.

20 Praz, M. The Flaming Heart New York: Doubleday, p. 247.Google Scholar

21 Stayner, J. The Life of Our Blessed Saviour B.L. Landsdowne MS 341,Google Scholar n.d.

22 Dee, E. Exhortacon B.L. Royal MS 18A, 28.Google Scholar

23 Beaumont, Sir J. The Crowne of Thornes B.L. Additional MS 33392, n.d.

24 Sherburne, Sir E. Salmacis London, 1651.Google Scholar

25 Among several collections of these writings perhaps the most relevant are The Manual (Douay, 1621), A Heavenly Treasure of Comfortable Mediations (St. Omer, 1624) and The Soliloquies (St. Omer, 1624), all translated by A. Batt.

26 See my unpublished thesis, The Theme of Christ in Minor Religious Verse of the Earlier Seventeemth Century, University of London, 1965, p. 275.Google Scholar

27 The Westminster Hymnal London: Burns Oates and Washbourne, 1949, no. 106.Google Scholar

28 Barton, W. Hallelujah London, 1651 Google Scholar and A Century of Select Hymns London, 1659.

29 Day, J. A New Spring of Divine Poesy London, 1637.Google Scholar

30 Martz, L. L. The Poetry of Meditation, revised edition 1962. New Haven: Yale University Press, chapter I.Google Scholar

31 cf. Low, A. Love's Architecture: Devotional Modes in Seventeenth Century English Poetry New York, 1978.Google Scholar

32 See note 17 above.

33 The Catholic writers who have not been named in the text include several (such as E. Benlowes, 1603–1676, and P. Carey, 1624–56) who probably later became Anglicans, and a number whose religious poetry forms an insignificant part of their works (such as William Davenant, 1606–68, who became a Catholic in later life). Elizabeth Cary Lady Falkland (1585–1639) was a Catholic for much of her life, and it is probable that Elizabeth Middleton (fl. 1637) was also a Catholic. Greer, Germaine et al., editors of Kissing the Rod: an Anthology of 17th Century Women's Verse (London: Virago, 1988)Google Scholar speculate that this may also be true of An Collins (fl. 1653) but Graham, E. et al., editors of Her Own Life: Autobiographical Writings by Seventeenth Century Englishwomen (London: Routledge, 1989)CrossRefGoogle Scholar see evidence in her writing of Calvinist theological tenets. In all these cases, there seems little writing relevant to this paper.