Viewpoint: a ‘case’ for visibility
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- 06 June 2016, pp. 3-4
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Other
Viewpoint: design well and the users will come
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- 06 June 2016, p. 3
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Viewpoint: My priorities for the IFLA Art Libraries Section
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- 06 June 2016, p. 3
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Viewpoint: advancing the cause of women artists
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- 06 June 2016, pp. 3-4
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Research Article
1, 2, 3, 5: building a collection of artists’ books
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- 06 June 2016, pp. 5-9
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Dumbarton Oaks Research Library: a 21st-century transformation
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- 06 June 2016, pp. 4-10
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Twenty-five years of international art library co-operation: the IFLA Art Libraries Section
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- 06 June 2016, pp. 4-10
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How images are the making of the Women’s Art Library/Make
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- 06 June 2016, pp. 5-10
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Institutional activism: documenting contemporary women artists in the United States
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- 06 June 2016, pp. 11-19
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The Kathmandu Valley Preservation Trust: a Nepal architecture archive at Harvard University
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- 06 June 2016, pp. 11-16
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From grand banking hall to the art and design school library of the 21st century
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- 06 June 2016, pp. 11-16
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Making connections, creating dialogues: artists’ books at Rhode Island School of Design
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- 06 June 2016, pp. 10-14
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‘Highly idiosyncratic and only half tamed’: the Institute of Fine Arts libraries and art history in the United States
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- 06 June 2016, pp. 17-25
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‘Who takes the eye takes all’1: visual culture in the Women’s Library collections
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- 06 June 2016, pp. 20-24
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Book arts at the Centre for Fine Print Research in Bristol
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- 06 June 2016, pp. 15-20
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Art and architecture students in new libraries: the UEL experience
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- 06 June 2016, pp. 17-21
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Showing ‘what a woman has done’1: the Beatrix Potter collections at the V&A
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- 06 June 2016, pp. 25-30
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The Centre des livres d’artistes, Saint-Yrieix-la-Perche
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- 06 June 2016, pp. 21-26
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Who needs subject gateways, portals or hubs?
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- 06 June 2016, pp. 26-31
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Documenting the art of our time: a new research facility for The Museum of Modern Art, New York
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- 06 June 2016, pp. 22-28
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