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The Limits of the Self in Plotinus*

Published online by Cambridge University Press:  08 May 2015

Annick Charles-Saget*
Affiliation:
Université de Clermont-Ferrand

Extract

Psychoanalysis is born of the fact that the notion of the self appears unable to take account of the whole of psychological life. Rejecting the limits of the self is recognizing the fact that it is invaded by forces which are completely other than it; it also involves both an analysis of why these are not understood, and a recognition that it is possible for the self to be obliterated. Plotinus asks: “But we . . . who are we?” (6.4.[22].14, 16). Does it involve flagrant anachronism to establish a link between the contemporary philosophy of the limits of the self and the Plotinian opening up to what is activity beyond the self? That this is not merely an arbitrary comparison may be demonstrated firstly on negative grounds, in that psychoanalysis rejects the cogito, exactly in the manner of Plotinus; the subject is born neither of itself nor of thought. However psychoanalysis, while accepting the partial state of the self, affirms the constitutive value of narcissism. The child’s identification with his image, called the mirror stage by Lacan(Écrto 1.89ff.: 1966 edn.), is the crucial stage in the building of the self. If this identification fails, or the image of the self is rejected, serious personality destructuring results. We are not here in the business of confusing philosophy with psychology, or child personality development with the progress of the spirit, but Plotinus’ reticence about images throughout the Enneads does bear a connection with Porphyry’s anecdotes in theLtfe of Plotinus: “Plotinus was ashamed of being in a body”; Plotinus refused to divulge any details of his family, or his place of birth; Plotinus was opposed to a portrait being made of him (Vita Plotini 1). This concurrence of life and writing cannot be neglected: Plotinus refused to allow Porphyry to write his biography, as if to assert the paradox of such an undertaking: an effort to paint the portrait of one who rejected all portraits.

Type
Research Article
Copyright
Copyright © Australasian Society for Classical Studies 1985

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References

* Translated by Denis O’Brien and Raoul Mortley.