3542 results in Opera
Frontmatter
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6 - From separatism to union: aesthetic theorizing from Reynolds to Wagner
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2 - On opera and society (assuming a relationship)
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Contents
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7 - Toward a characterization of modernist opera
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OPR volume 22 issue 2 Cover and Back matter
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- Cambridge Opera Journal / Volume 22 / Issue 2 / July 2010
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- 24 October 2011, pp. b1-b3
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- July 2010
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Opera en abyme: The prodigious ritual of Korngold's Die tote Stadt
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- Cambridge Opera Journal / Volume 22 / Issue 2 / July 2010
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- 24 October 2011, pp. 115-146
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Wagner Studies and the ‘parallactic drift’
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- Cambridge Opera Journal / Volume 22 / Issue 2 / July 2010
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- 24 October 2011, pp. 235-255
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The Harmonious Unfortunate: new light on Catherine Tofts
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- Cambridge Opera Journal / Volume 22 / Issue 2 / July 2010
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- 24 October 2011, pp. 217-234
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How the Vixen lost its mores: gesture and music in Janáček's animal opera
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- Cambridge Opera Journal / Volume 22 / Issue 2 / July 2010
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- 24 October 2011, pp. 147-174
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OPR volume 22 issue 2 Cover and Front matter
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- Cambridge Opera Journal / Volume 22 / Issue 2 / July 2010
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- 24 October 2011, pp. f1-f4
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Bourgeois opera: Death in Venice and the aesthetics of sublimation
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- Cambridge Opera Journal / Volume 22 / Issue 2 / July 2010
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- 24 October 2011, pp. 175-216
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5 - “An honest contrivance”: opera and desire in Moonstruck
- from Part III - Desire
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- When Opera Meets Film
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6 - The sound of desire: Così's “Soave sia il vento” in Sunday, Bloody Sunday and Closer
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List of tables
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Part II - Subjectivity
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3 - Subjectivity in the opera-films of Jean-Pierre Ponnelle
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When Opera Meets Film
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Acknowledgments
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Part I - Style
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