3542 results in Opera
Marconi’s Phoney Future Puccini, ‘Addio’ (Mimì), La bohème, Act III
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 247-249
- Print publication:
- July 2016
-
- Article
- Export citation
Opera Points Puccini, ‘Laggiù nel Soledad’ (Minnie), La fanciulla del West, Act I
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 251-254
- Print publication:
- July 2016
-
- Article
- Export citation
Excavating Attila Verdi, ‘Allor che i forti corrono’ (Odabella), Attila, Act I
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 167-170
- Print publication:
- July 2016
-
- Article
- Export citation
Filial Enchaînements Metastasio, ‘Per quel paterno amplesso’ (Arbace), Artaserse, Act II
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 119-125
- Print publication:
- July 2016
-
- Article
- Export citation
Texts from Elsewhere Verdi, ‘Pace, pace, mio Dio!’ (Leonora), La forza del destino, Act IV
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 199-202
- Print publication:
- July 2016
-
- Article
- Export citation
Of Voices, Hearts and Ghosts Saint-Saëns, ‘Mon cœur s’ouvre à ta voix’ (Dalila), Samson et Dalila, Act II
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 227-233
- Print publication:
- July 2016
-
- Article
- Export citation
Holding Hands Verdi, ‘Tu che le vanità’ (Elisabetta), Don Carlo, Act IV
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 209-214
- Print publication:
- July 2016
-
- Article
- Export citation
Carmen, Communarde Bizet, ‘Habanera’ (Carmen), Carmen, Act I
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 215-219
- Print publication:
- July 2016
-
- Article
- Export citation
New York Telephone Conversation; or, Gandhi’s Last Act Glass, ‘Evening Song’ (Gandhi), Satyagraha
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 267-270
- Print publication:
- July 2016
-
- Article
- Export citation
Anti-Historical, but Nonetheless There… Verdi, ‘Tutte le feste’ (Gilda), Rigoletto, Act II
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 175-178
- Print publication:
- July 2016
-
- Article
- Export citation
Bellini’s Gothic Voices Bellini, ‘Un grido io sento’ (Alaide), La straniera, Act I
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 149-154
- Print publication:
- July 2016
-
- Article
- Export citation
Loving Mozart Bernhard Lang, ‘Ach, ich fühl’s’ (Grace Moor), I Hate Mozart, Act I
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 271-275
- Print publication:
- July 2016
-
- Article
- Export citation
Tamagno Otherwise Verdi, ‘Ora e per sempre addio’ (Otello), Otello, Act II
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 235-237
- Print publication:
- July 2016
-
- Article
- Export citation
From Orpheus to Opera – Singing about Singing in Verdi’s Il trovatore Verdi, ‘Tacea la notte’ (Leonora), Il trovatore, Act I
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 179-182
- Print publication:
- July 2016
-
- Article
- Export citation
Malibran’s Favourite Aria Balfe, ‘With Rapture Dwelling’ (Isoline), The Maid of Artois, Act III
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 161-165
- Print publication:
- July 2016
-
- Article
- Export citation
The Progress of an Aria Bellini, ‘Ah! non pensar che pieno’, Beatrice di Tenda, Act I
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 155-159
- Print publication:
- July 2016
-
- Article
- Export citation
Should Manrico Escape? Verdi, ‘Miserere … Ah, che la morte ognora’ (Leonora, Manrico), Il trovatore, Act IV
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 187-190
- Print publication:
- July 2016
-
- Article
- Export citation
The Limits of Operatic Deadness Bizet, ‘Habanera’ (Carmen), Carmen, Act I
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 221-226
- Print publication:
- July 2016
-
- Article
- Export citation
Compromising Wagnerism? Egk, ‘Dein Hähnchen bin ich’ (Peer Gynt), Peer Gynt (1938), Act II
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 255-261
- Print publication:
- July 2016
-
- Article
- Export citation
Machine Speak Ruggiero Leoncavallo, ‘Vesti la giubba’ (Pagliacci), I Pagliacci, Act I
-
- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 243-246
- Print publication:
- July 2016
-
- Article
- Export citation