3542 results in Opera
V - Strong Subordinate Themes
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- The Romantic Overture and Musical Form from Rossini to Wagner
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- 19 May 2017
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- 27 April 2017, pp 146-190
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The Romantic Overture and Musical Form from Rossini to Wagner
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- Published online:
- 19 May 2017
- Print publication:
- 27 April 2017
Introduction
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- The Romantic Overture and Musical Form from Rossini to Wagner
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- 19 May 2017
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- 27 April 2017, pp 1-14
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I - Making Overtures
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- The Romantic Overture and Musical Form from Rossini to Wagner
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- 19 May 2017
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- 27 April 2017, pp 15-45
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Postlude
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. 113-116
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- March 2017
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Illuminating Gustavus the Third and the Art of Spectacle in 1830s London
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. 33-52
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- March 2017
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An Earnest Meyerbeer: Le Prophète at London’s Royal Italian Opera, 1849
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. 53-73
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- March 2017
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Introduction
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. 1-4
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- March 2017
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OPR volume 29 issue 1 Cover and Back matter
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. b1-b6
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- March 2017
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The Race for Robert and Other Rivalries: Negotiating the Local and (Inter)National in Nineteenth-Century New Orleans
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. 94-112
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- March 2017
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From Hindustan to Brabant: Meyerbeer’s L’africana and Municipal Cosmopolitanism in Post-Unification Italy
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. 74-93
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- March 2017
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The Flying Dutchman, English Spectacle and the Remediation of Grand Opera
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. 5-32
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- March 2017
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OPR volume 29 issue 1 Cover and Front matter
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. f1-f2
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- March 2017
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Lucia’s Ghosts: Sonic, Gothic and Postmodern
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- Cambridge Opera Journal / Volume 28 / Issue 3 / November 2016
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- 20 March 2017, pp. 313-345
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- November 2016
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The Medical and the Musical: French Physiology and Late Nineteenth-Century Operatic Training
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- Cambridge Opera Journal / Volume 28 / Issue 3 / November 2016
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- 20 March 2017, pp. 347-362
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- November 2016
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Late Nineteenth-Century Opera and the Curse of the Effective
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- Cambridge Opera Journal / Volume 28 / Issue 3 / November 2016
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- 20 March 2017, pp. 363-371
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- November 2016
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‘Here Be Dragons’: Voice and Opera at the Edge of the Map
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- Cambridge Opera Journal / Volume 28 / Issue 3 / November 2016
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- 20 March 2017, pp. 373-383
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- November 2016
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OPR volume 28 issue 3 Cover and Back matter
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- Cambridge Opera Journal / Volume 28 / Issue 3 / November 2016
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- 20 March 2017, pp. b1-b4
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- November 2016
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OPR volume 28 issue 3 Cover and Front matter
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- Cambridge Opera Journal / Volume 28 / Issue 3 / November 2016
- Published online by Cambridge University Press:
- 20 March 2017, pp. f1-f2
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- November 2016
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An Operatic Locarno: The Paris Premiere of Smetana’s The Bartered Bride and Czechoslovak-French Cultural Diplomacy
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- Cambridge Opera Journal / Volume 28 / Issue 3 / November 2016
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- 20 March 2017, pp. 283-312
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- November 2016
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