3542 results in Opera
5 - Transvestism in Myth and Ritual
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- The Transvestite Achilles
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Works Cited
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The Transvestite Achilles
- Gender and Genre in Statius' Achilleid
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3 - Womanhood, Rhetoric, and Performance
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6 - Rape, Repetition, and Romance
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Introduction
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Klinghoffer in Brooklyn Heights
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- Cambridge Opera Journal / Volume 17 / Issue 2 / July 2005
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- 09 December 2005, pp. 173-213
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- July 2005
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Beyond the exotic: How ‘Eastern’ is Aida?
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- Cambridge Opera Journal / Volume 17 / Issue 2 / July 2005
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- 09 December 2005, pp. 105-139
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- July 2005
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‘Now and England’: Britten's Gloriana and the ‘New Elizabethans’
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- Cambridge Opera Journal / Volume 17 / Issue 2 / July 2005
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- 09 December 2005, pp. 141-172
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- July 2005
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Carolyn Abbate, In Search of Opera. Princeton: Princeton University Press, 2001. 290pp.
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- Cambridge Opera Journal / Volume 17 / Issue 2 / July 2005
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- 09 December 2005, pp. 215-223
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- July 2005
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Cinematic realism, reflexivity and the American ‘Madame Butterfly’ narratives
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- Cambridge Opera Journal / Volume 17 / Issue 1 / March 2005
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- 08 June 2005, pp. 59-93
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- March 2005
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Mark Everist, Music Drama at the Paris Odéon, 1824–1828. Berkeley and Los Angeles: University of California Press, 2002. 332pp. John D. Drysdale, Louis Véron and the Finances of the Académie Royale de Musique. Frankfurt am Main: Peter Lang, 2003. 261pp.
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- Cambridge Opera Journal / Volume 17 / Issue 1 / March 2005
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- 08 June 2005, pp. 95-104
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- March 2005
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Variations on the Dance of the Seven Veils
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- Cambridge Opera Journal / Volume 17 / Issue 1 / March 2005
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- 08 June 2005, pp. 37-58
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- March 2005
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Wagner's last chorus: Consecrating space and spectatorship in Parsifal
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- Cambridge Opera Journal / Volume 17 / Issue 1 / March 2005
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- 08 June 2005, pp. 1-36
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- March 2005
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Frontmatter
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- The Cambridge Companion to Verdi
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- 18 November 2004, pp i-xxvi
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Part IV - Creation and critical reception
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7 - French influences
- from Part II - The style of Verdi's operas and non-operatic works
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8 - Structural coherence
- from Part II - The style of Verdi's operas and non-operatic works
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5 - Newcurrents in the libretto
- from Part II - The style of Verdi's operas and non-operatic works
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14 - Desdemona's alienation and Otello's fall
- from Part III - Representative operas
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- 18 November 2004, pp 237-254
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