3296 results in Eighteenth-Century Music
GIANCARLO ROSTIROLLA (WITH ESSAYS BY STEFANO LA VIA AND ANNA LO BIANCO) IL ‘MONDO NOVO’ MUSICALE DI PIER LEONE GHEZZI Milan: Skira, 2001 pp. 495, ISBN 88 8118 427 3
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- Eighteenth-Century Music / Volume 2 / Issue 1 / March 2005
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- 04 May 2005, pp. 148-150
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- March 2005
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JAIME TORTELLA (WITH A PREFACE BY YVES GÉRARD) BOCCHERINI: UN MÚSICO ITALIANO EN LA ESPAÑA ILUSTRADA Madrid: Sociedad Española de Musicología, 2002 pp. iv + 534, ISBN 84 86878 80 2
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- Eighteenth-Century Music / Volume 2 / Issue 1 / March 2005
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- 04 May 2005, pp. 150-156
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JOSEPH MARTIN KRAUS (1756–1792) KEYBOARD MUSIC ZWEI NEUE KURIOSE MINUETTEN (VB190), RONDO IN F MAJOR (VB191), SVENSK DANS (VB192), THEMA CON VARIAZIONE IN C MAJOR (VB193), LARGHETTO IN G MAJOR (VB194), SONATAS IN E FLAT MAJOR (VB195) AND E MAJOR (VB196) Jacques Després Naxos 8.555771, 2003; one disc, 1′19′′ SVENSK DANS (VB192), LARGHETTO IN G MAJOR (VB194), SONATAS IN E FLAT MAJOR (VB195) AND E MAJOR (VB196) Alexandra Oehler Ars Musici AM 1326 2, 2002; one disc, 1′08′′
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- Eighteenth-Century Music / Volume 2 / Issue 1 / March 2005
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- 04 May 2005, pp. 170-171
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ANNETTE RICHARDS THE FREE FANTASIA AND THE MUSICAL PICTURESQUE Cambridge: Cambridge University Press, 2001 pp. xiii + 256, ISBN 0 521 64077 6
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- Eighteenth-Century Music / Volume 2 / Issue 1 / March 2005
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- 04 May 2005, pp. 146-148
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HAYDN, 6 STRING QUARTETS, OP. 20 ED. SIMON ROWLAND-JONES London: Edition Peters, 2001 pp. xviii + 101, ISMN M 57708 356 8 HAYDN, 6 STRING QUARTETS, OP. 33 ED. SIMON ROWLAND-JONES London: Edition Peters, 2002 pp. xxii + 90, ISMN M 57708 357 5
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- Eighteenth-Century Music / Volume 2 / Issue 1 / March 2005
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- 04 May 2005, pp. 158-160
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- March 2005
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Frontmatter
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- Three Modes of Perception in Mozart
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Index
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List of abbreviations
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Three Modes of Perception in Mozart
- The Philosophical, Pastoral, and Comic in Cosí fan tutte
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Epilogue
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Chapter 4 - The comic mode
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Contents
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List of tables
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Bibliography
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A note on translations
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Preface and acknowledgments
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Chapter 1 - An overture to Così fan tutte: the poetics of the opera over two centuries
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Chapter 3 - The pastoral mode
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Chapter 2 - The philosophical mode
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PECOUR’S L’ALLEMANDE, 1702–1765: HOW ‘GERMAN’ WAS IT?
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- Eighteenth-Century Music / Volume 1 / Issue 2 / September 2004
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- 07 January 2005, pp. 183-204
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- September 2004
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