15656 results in Renaissance and early modern literature
Occult Knowledge, Science, and Gender on the Shakespearean Stage - Half title page
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- Occult Knowledge, Science, and Gender on the Shakespearean Stage
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- 11 July 2013, pp i-i
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Coda
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- Occult Knowledge, Science, and Gender on the Shakespearean Stage
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Chapter Fourteen - Marlowe and social distinction
- from Part II - Marlowe’sworld
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- Christopher Marlowe in Context
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- 11 July 2013, pp 155-168
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Chapter Twelve - Geography and Marlowe
- from Part II - Marlowe’sworld
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- Christopher Marlowe in Context
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Chapter Sixteen - Education, the university, and Marlowe
- from Part II - Marlowe’sworld
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- Christopher Marlowe in Context
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- 11 July 2013, pp 181-191
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Chapter Ten - Marlowe’s libraries:
- from Part I - Marlowe’s works
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- Christopher Marlowe in Context
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- 11 July 2013, pp 101-109
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Dedication
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- Occult Knowledge, Science, and Gender on the Shakespearean Stage
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Illustrations
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- Christopher Marlowe in Context
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Chapter Twenty Four - The professional theatre and Marlowe
- from Part II - Marlowe’sworld
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- Christopher Marlowe in Context
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- 11 July 2013, pp 262-272
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Chapter 1 - Women’s secrets and the status of evidence inAll’s Well That Ends Well
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- Occult Knowledge, Science, and Gender on the Shakespearean Stage
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- 11 July 2013, pp 28-46
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Further reading
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- Christopher Marlowe in Context
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- 11 July 2013, pp 366-377
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Contents
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- Occult Knowledge, Science, and Gender on the Shakespearean Stage
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Chapter Five - Marlowe’s dramatic form
- from Part I - Marlowe’s works
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- Christopher Marlowe in Context
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Frontispiece
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Chapter Thirty Two - Marlowe and the critics
- from Part III - Reception
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- Christopher Marlowe in Context
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- 11 July 2013, pp 346-356
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Chapter Twenty Three - Marlowe and the new science
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- Christopher Marlowe in Context
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- 11 July 2013, pp 252-261
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Chapter 3 - “As secret as maidenhead”: magnetic wombs and the nature of attraction in Shakespeare’sTwelfth Night
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- Occult Knowledge, Science, and Gender on the Shakespearean Stage
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Introduction: secret sympathies
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- 11 July 2013, pp 1-27
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Copyright page
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Chapter Twenty Five - Marlowe in his moment
- from Part III - Reception
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- 11 July 2013, pp 275-284
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