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7 - Formation from “Fragments”: Learning about Twelfth- Century Liturgy through Creative Engagement with Evidence
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Part Two - Play Through Production
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Afterword: “No Limits”
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Introduction
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Part One - Play Through Performance
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Creating Playful First Encounters with the Pre-Modern Past
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Frontmatter
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3 - Creating Medieval Drama: Student Actors, Public Audiences, and Middle English Plays
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Acknowledgements
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Index
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W. G. Sebald in Context
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Epigraph
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Chapter 13 - Romantic Spain and National Resistance
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Chapter 14 - A. W. Schlegel, Staël, and Sismondi in 1814
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Index
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Chapter 7 - Suicide, Meaning, and Power in the Querelle of Delphine
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Chapter 11 - Napoleon Pulps His Enemies
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Notes
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Chapter 4 - The Social Contract for Staël and Constant, or Does Liberty Have a Sex?
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Acknowledgments
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