16910 results in European literature
1 - “Timid Heresies”: Werner Hochbaum’s Razzia in St. Pauli (1932)
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp 31-50
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Continuity and Crisis in German Cinema, 1928-1936
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9 - Brigitte Helm and Germany’s Star System in the 1920s and 1930s
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp 189-209
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8 - Regaining Mobility: The Aviator in Weimar Mountain Films
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp 167-186
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Part I - Politics
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp 29-30
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5 - Degenerate Disease and the Doctors of Death: Racial Hygiene Film as Propaganda in Weimar and Early Nazi Germany
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp 113-131
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Part VI - Film Technologies
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp 231-232
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3 - “A Fairy Tale for Grown-ups”: Financial and Cinematic Crises in Die Koffer des Herrn O.F. (1931)
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp 73-91
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Part III - Concepts of Race and Ethnicity
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp 111-112
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7 - The Zigeunerdrama Reloaded: Leni Riefenstahl’s Fantasy Gypsies and Sacrificial Others
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp 151-166
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4 - “Denn Gold ist Glück und Fluch dieser Welt”: Examining the Trope of “Gold” in Gold (1934) and Der Kaiser von Kalifornien (1936)
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp 92-110
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Acknowledgments
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp ix-x
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14 - A Serious Man? Ernst Lubitsch’s Antiwar Film The Man I Killed (aka Broken Lullaby, USA 1932)
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp 291-306
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Part II - The Economy
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp 71-72
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6 - “White Jews” and Dark Continents: Capitalist Critique and Its Racial Undercurrents in Detlef Sierck’s April! April! (1935)
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp 132-148
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List of Illustrations
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- Continuity and Crisis in German Cinema, 1928-1936
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- 20 October 2016, pp vii-viii
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Contents
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- Joyce's Dante
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Copyright page
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Chapter 5 - ‘The Flower that Stars the Day’
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Acknowledgements
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