11178 results in Anglo Saxon and medieval literature
Part I - The Ethics and Aesthetics of Depicting War and Violence
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- Representing War and Violence, 1250-1600
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Bibliography
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- Representing War and Violence, 1250-1600
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List of Illustrations
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- Representing War and Violence, 1250-1600
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3 - Visualising War: the Aesthetics of Violence in the Alliterative Morte Arthure
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- Representing War and Violence, 1250-1600
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Introduction: ‘Representation’ and Medieval Mediations of Violence
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- Representing War and Violence, 1250-1600
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4 - ‘With face pale’: Melancholy Violence in John Lydgate's Troy and Thebes
- from Part II - Debating and Narrating Violence
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6 - Representing Political Violence in La Estoire de Seint Aedward le Rei
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8 - Tudor Soldier-Authors and the Art of Military Autobiography
- from Part III - Experiencing, Representing and Remembering Violence
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- Representing War and Violence, 1250-1600
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Acknowledgements
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- Representing War and Violence, 1250-1600
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List of Contributors
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- Representing War and Violence, 1250-1600
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Frontmatter
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Part III - Experiencing, Representing and Remembering Violence
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2 - Depicting Defeat in the Grandes Chroniques de France
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- Representing War and Violence, 1250-1600
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Part II - Debating and Narrating Violence
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- Representing War and Violence, 1250-1600
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Index
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9 - Three Narratives of the Fall of Calais in 1558: Explaining Defeat in Tudor England
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5 - The Acquisition of French
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- Translators and their Prologues in Medieval England
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Conclusion
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9781782048282/resource/name/9781782048282i.jpg)
Translators and their Prologues in Medieval England
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Introduction
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- Translators and their Prologues in Medieval England
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