9063 results in Film
Frontmatter
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- Affective Intensities and Evolving Horror Forms
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- Edinburgh University Press
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- 08 October 2020
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Part I - The Life and Work of Sohrab Shahid Saless
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- ReFocus: The Films of Sohrab Shahid-Saless
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- 10 October 2020
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Acknowledgements
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- Affective Intensities and Evolving Horror Forms
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- 08 October 2020
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- 28 May 2020, pp ix-x
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8 - The Embodied Player of Horror Video Games
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- Affective Intensities and Evolving Horror Forms
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Part II - Creative Exiles
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- ReFocus: The Films of Sohrab Shahid-Saless
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9781474458139/resource/name/9781474458139i.jpg)
Vampires in Italian Cinema, 1956-1975
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4 - A Simple Event from a Historical Perspective: What Do We Talk About When We Talk About Realism?
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- ReFocus: The Films of Sohrab Shahid-Saless
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Interview by Behrang Samsami (Journalist) with Bert Schmidt (Shahid Saless’s Cinematographer)
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1 - From the Semantic to the Somatic: Affective Engagement with Horror Cinema
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- Affective Intensities and Evolving Horror Forms
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1 - Slow, Closed, Recessive, Formalist and Dark: The Cinema of Sohrab Shahid Saless
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- ReFocus: The Films of Sohrab Shahid-Saless
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Contents
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- Vampires in Italian Cinema, 1956-1975
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3 - Female vampires
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- Vampires in Italian Cinema, 1956-1975
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7 - The Evolving Screen Forms of New Media Horror
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- Affective Intensities and Evolving Horror Forms
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1 - Origins
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- Consuming Images
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- 15 October 2020
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2 - Italian vampire cinema (1956–1975)
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- Vampires in Italian Cinema, 1956-1975
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5 - Vampires of the late 1950s and early 1960s
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- Vampires in Italian Cinema, 1956-1975
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Introduction
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Part III - The Stateless Moving Image
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3 - The Bl ind Owls of Modernity: Of Protocols, Mirrors and Grimaces in Sohrab Shahid Saless’s Films
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4 - Male vampires
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- Vampires in Italian Cinema, 1956-1975
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- 28 May 2020, pp 107-124
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