9063 results in Film
Notes on Contributors
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13 - Gilda de Abreu's O Ébrio as a Unique Intermedial Project
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9 - Neo-Noir and ‘Becoming-Murderer’ in Tonia Marketaki’sJohn the Violent 182
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11 - Hong Kong and Athens: Contested Spaces of the Global and the Local in the Neo-Noir of John Woo and Alexis Alexiou
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Acknowledgements
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Introduction: Wallace Fox and the B Film
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10 - Self-made vs Self-respect: The Politics of Belonging in Zoya Akhtar's Films
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Index
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4 - Photographs of the Invisible: Intermedial Figurations of Social Exclusion in Babás and Aquarius
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8 - A Dark Intrigue of Murder: Kierion and Reconstruction, or Film Noir as Politics
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1 - Between Compliance and Resistance: Mapping the Careers of Wallace Fox and Nipo Strongheart in Early Hollywood
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13 - Greek Sleuths and Tough Cops: Noir Masculinities in Television Crime Shows (1992–2020)
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7 - Wallace Fox and America’s “Career Girls”
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12 - The Final Word: An Interview with Zoya Akhtar
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9781474476430/resource/name/9781474476430i.jpg)
ReFocus
- The Films of Zoya Akhtar
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5 - Exploring the Cinematic Imaginary: Carlos Adriano, André Parente and the Precision of the Vague
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Contents
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List of Figures
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Part II - The Empire of Music
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Part IV - The Word and the Screen
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