9063 results in Film
11 - Interpreting Citizen Kane
-
- Book:
- Interpreting the Moving Image
- Published online:
- 05 June 2012
- Print publication:
- 13 May 1998, pp 153-165
-
- Chapter
- Export citation
Notes
-
- Book:
- Interpreting the Moving Image
- Published online:
- 05 June 2012
- Print publication:
- 13 May 1998, pp 333-358
-
- Chapter
- Export citation
16 - Identity and Difference: From Ritual Symbolism to Condensation in Anger's Inauguration of the Pleasure Dome
-
- Book:
- Interpreting the Moving Image
- Published online:
- 05 June 2012
- Print publication:
- 13 May 1998, pp 214-224
-
- Chapter
- Export citation
24 - Film in the Age of Postmodernism
-
- Book:
- Interpreting the Moving Image
- Published online:
- 05 June 2012
- Print publication:
- 13 May 1998, pp 300-332
-
- Chapter
- Export citation
5 - Buster Keaton, The General, and Visible Intelligibility
-
- Book:
- Interpreting the Moving Image
- Published online:
- 05 June 2012
- Print publication:
- 13 May 1998, pp 64-79
-
- Chapter
- Export citation
Introduction
-
- Book:
- Interpreting the Moving Image
- Published online:
- 05 June 2012
- Print publication:
- 13 May 1998, pp 1-16
-
- Chapter
- Export citation
13 - Mind, Medium, and Metaphor in Harry Smith's Heaven and Earth Magic
-
- Book:
- Interpreting the Moving Image
- Published online:
- 05 June 2012
- Print publication:
- 13 May 1998, pp 178-190
-
- Chapter
- Export citation
4 - The Misfits (1961) and the Idea of John Huston's Films
-
- Book:
- John Huston's Filmmaking
- Published online:
- 08 January 2010
- Print publication:
- 13 October 1997, pp 75-91
-
- Chapter
- Export citation
11 - Fat City (1972): “Maybe We're All Happy”
-
- Book:
- John Huston's Filmmaking
- Published online:
- 08 January 2010
- Print publication:
- 13 October 1997, pp 191-204
-
- Chapter
- Export citation
6 - Let There Be Light (1946, released 1980)
-
- Book:
- John Huston's Filmmaking
- Published online:
- 08 January 2010
- Print publication:
- 13 October 1997, pp 111-120
-
- Chapter
- Export citation
Section II - “Are They Ready to Go Home?”
-
- Book:
- John Huston's Filmmaking
- Published online:
- 08 January 2010
- Print publication:
- 13 October 1997, pp 73-74
-
- Chapter
- Export citation
5 - “No Betrayal of Despair”: The Night of the Iguana (1964)
-
- Book:
- John Huston's Filmmaking
- Published online:
- 08 January 2010
- Print publication:
- 13 October 1997, pp 92-110
-
- Chapter
- Export citation
7 - Heaven Knows, Mr. Allison (1957)
-
- Book:
- John Huston's Filmmaking
- Published online:
- 08 January 2010
- Print publication:
- 13 October 1997, pp 125-142
-
- Chapter
- Export citation
Selected Bibliography of Writings on John Huston
-
- Book:
- John Huston's Filmmaking
- Published online:
- 08 January 2010
- Print publication:
- 13 October 1997, pp 261-264
-
- Chapter
- Export citation
1 - The Treasure of the Sierra Madre (1948)
-
- Book:
- John Huston's Filmmaking
- Published online:
- 08 January 2010
- Print publication:
- 13 October 1997, pp 17-31
-
- Chapter
- Export citation
2 - The Man Who Would Be King (1975)
-
- Book:
- John Huston's Filmmaking
- Published online:
- 08 January 2010
- Print publication:
- 13 October 1997, pp 32-48
-
- Chapter
- Export citation
Section III - “Trying to Account for Themselves”
-
- Book:
- John Huston's Filmmaking
- Published online:
- 08 January 2010
- Print publication:
- 13 October 1997, pp 121-124
-
- Chapter
- Export citation
John Huston's Filmmaking
-
- Book:
- John Huston's Filmmaking
- Published online:
- 08 January 2010
- Print publication:
- 13 October 1997, pp xiii-xiv
-
- Chapter
- Export citation
Contents
-
- Book:
- John Huston's Filmmaking
- Published online:
- 08 January 2010
- Print publication:
- 13 October 1997, pp vii-viii
-
- Chapter
- Export citation
8 - Theater, Identity, and Reality in The Maltese Falcon (1941)
-
- Book:
- John Huston's Filmmaking
- Published online:
- 08 January 2010
- Print publication:
- 13 October 1997, pp 143-154
-
- Chapter
- Export citation