9063 results in Film
9 - The Hermeneutics of Noise: The Sounds of Salvation in Ken Russell’s Tommy
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- ReFocus: The Films of Ken Russell
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- Edinburgh University Press
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- 18 October 2023
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- 31 December 2022, pp 180-194
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Part 3 - Style and Meaning
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- ReFocus: The Films of Richard Linklater
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- Edinburgh University Press
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- 19 October 2023
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- 31 December 2022, pp 155-156
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3 - Funhouse Noir: Escapist Expressionism in Samuel Khachikian’s Delirium
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- Transnational Crime Cinema
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- Edinburgh University Press
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- 19 October 2023
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- 31 December 2022, pp 61-76
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Chapter 8 - Dreyer, Magritte and Other Obsessions: Figural Invention in Antoinetta Angelidi’s Idées Fixes / Dies Irae – Variations on the Same Subject
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- ReFocus: The Films of Antoinetta Angelidi
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- Edinburgh University Press
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- 19 October 2023
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- 31 December 2022, pp 164-185
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2 - Retracing Mafia Locality
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- Transnational Crime Cinema
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- Edinburgh University Press
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- 19 October 2023
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- 31 December 2022, pp 44-60
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6 - ‘An Authentic Part of the History of European Painting’: Ken Russell’s Early Engagement with the Pre-Raphaelites
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- ReFocus: The Films of Ken Russell
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- Edinburgh University Press
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- 18 October 2023
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- 31 December 2022, pp 125-142
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4 - Crime without Borders: Marginality and Transnational Power in Jacques Audiard’s Un prophète
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- Transnational Crime Cinema
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- Edinburgh University Press
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- 19 October 2023
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- 31 December 2022, pp 79-92
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Chapter 2 - Science Fiction, National Rebirth and Messianism in Un 32 août sur terre
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- ReFocus: The Films of Denis Villeneuve
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- Edinburgh University Press
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- 20 October 2023
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- 31 December 2022, pp 23-40
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Bibliography
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- Tracking Loach
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- Edinburgh University Press
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- 05 March 2024
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- 31 December 2022, pp 190-201
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Contents
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- Book:
- ReFocus: The Films of Antoinetta Angelidi
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- Edinburgh University Press
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- 19 October 2023
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- 31 December 2022, pp v-vi
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13 - Ensemble of Experts: Relentless as ‘Nigerian Noir’
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- Transnational Crime Cinema
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- Edinburgh University Press
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- 19 October 2023
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- 31 December 2022, pp 237-252
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Notes on Contributors
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- Transnational Crime Cinema
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- Edinburgh University Press
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- 19 October 2023
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- 31 December 2022, pp viii-x
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5 - Words: Between script and screen
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- Tracking Loach
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- Edinburgh University Press
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- 05 March 2024
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- 31 December 2022, pp 139-159
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Acknowledgements
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- ReFocus: The Films of Ken Russell
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- Edinburgh University Press
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- 18 October 2023
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- 31 December 2022, pp xiii-xiv
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Epilogue: Revolutionary respair
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- Tracking Loach
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- Edinburgh University Press
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- 05 March 2024
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- 31 December 2022, pp 177-180
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Acknowledgements
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- ReFocus: The Films of Antoinetta Angelidi
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- Edinburgh University Press
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- 19 October 2023
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- 31 December 2022, pp xii-xiv
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2 - Performed Masculinities: Oliver Reed in Ken Russell’s Films of the ‘Long 1960s’
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- ReFocus: The Films of Ken Russell
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- Edinburgh University Press
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- 18 October 2023
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- 31 December 2022, pp 48-68
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Chapter 7 - The (Un)bearable Weight of Gendered Genre: Richard Linklater’s Post-Boyhood Masculinities
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- ReFocus: The Films of Richard Linklater
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- Edinburgh University Press
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- 19 October 2023
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- 31 December 2022, pp 115-135
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Contents
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- Book:
- ReFocus: The Films of Denis Villeneuve
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- Edinburgh University Press
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- 20 October 2023
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- 31 December 2022, pp v-vi
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12 - Gated Crimes: Neoliberal Spaces and the Pleasures of Paranoia in Las viudas de los jueves (2009) and Betibú (2014)
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- Transnational Crime Cinema
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- Edinburgh University Press
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- 19 October 2023
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- 31 December 2022, pp 218-236
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