9063 results in Film
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- Horror Film and Psychoanalysis
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- 28 June 2004, pp 275-292
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3 - Excerpt from “Why Horror? The Peculiar Pleasures of a Popular Genre,” with a New Afterword by the Author
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Foreword: “What Lies Beneath?”
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- 28 June 2004, pp xiii-xviii
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11 - Freud's Worst Nightmare: Dining with Dr. Hannibal Lecter
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- 28 June 2004, pp 188-202
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PART TWO - THEORIZING THE UNCANNY
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PART ONE - THE QUESTION OF HORROR-PLEASURE
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- 28 June 2004, pp 15-16
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1 - “What's the Matter with Melanie?”: Reflections on the Merits of Psychoanalytic Approaches to Modern Horror Cinema
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- 28 June 2004, pp 17-34
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Introduction: “Psychoanalysis in/and/of the Horror Film”
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12 - Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value
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- 28 June 2004, pp 205-221
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13 - The Darker Side of Genius: The (Horror) Auteur Meets Freud's Theory
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- 28 June 2004, pp 222-240
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14 - Violence and Psychophysiology in Horror Cinema
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- 28 June 2004, pp 241-256
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10 - “Ultimate Formlessness”: Cinema, Horror, and the Limits of Meaning
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- 28 June 2004, pp 177-187
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2 - A Fun Night Out: Horror and Other Pleasures of the Cinema
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- 28 June 2004, pp 35-54
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PART FOUR - NEW DIRECTIONS
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PART THREE - REPRESENTING PSYCHOANALYSIS
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- 28 June 2004, pp 157-158
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9 - What Does Dr. Judd Want? Transformation, Transference, and Divided Selves in Cat People
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- 28 June 2004, pp 159-176
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Frontmatter
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Contents
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Acknowledgments
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2 - The Making of Roma città aperta: The Legacy of Fascism and the Birth of Neorealism
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- Roberto Rossellini's <I>Rome Open City</I>
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- 09 February 2010
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- 14 June 2004, pp 43-66
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