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Chapter 12 - Researching Audiovisually: Experiments in Videographic Criticism in David Lynch's The Elephant Man and Blue Velvet
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- Networked David Lynch
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- 31 January 2023, pp 209-235
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9 - The Beginning and the End: Transitioning Careers and Roberta Findlay’s Banned (1989)
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- ReFocus: The Films of Roberta Findlay
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- 20 October 2023
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- 31 January 2023, pp 177-190
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Acknowledgments
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- Metaphysics and the Moving Image
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Introduction: Entering Lynchtown
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Frontmatter
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Chapter 13 - A Form that Keeps Unravelling: On David Lynch, Spontaneity and Organic Fluidity in Videographic Essay Production and Academia
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- 31 January 2023, pp 236-255
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Networked David Lynch
- Critical Perspectives on Cinematic Transmediality
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- 31 January 2023
Bibliography
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- Metaphysics and the Moving Image
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Introduction: The Death of God, the Birth of Film, and the New Metaphysics
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List of Figures
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Index
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Chapter 10 - Structures of Female Desire, Control and Withdrawal in Lynch's Cinematic Work
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Chapter 9 - Tracing the Lost Highway: Mythical Topography in David Lynch's Los Angeles Trilogy
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Part I - Approaching Intertexts
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6 - Fragments of a Porn Star: Hybrid Documentary and Avant-garde Impulses in Shauna: Every Man’s Fantasy
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- ReFocus: The Films of Roberta Findlay
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14 - Nicolas Winding Refn and the Ken Russell Style
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- ReFocus: The Films of Ken Russell
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- 31 December 2022, pp 260-278
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6 - ‘They’re going to let us die’: trust in found footage horror
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- Blood on the Lens
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- 13 April 2023
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- 31 December 2022, pp 111-128
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Index
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- Transnational Crime Cinema
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- 31 December 2022, pp 257-276
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Frontmatter
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- ReFocus: The Films of Denis Villeneuve
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Tracking Loach
- Politics, Practices, Production
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- 05 March 2024
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- 31 December 2022