9063 results in Film
Frontispiece
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- Expressionism in the Cinema
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- 19 February 2016, pp xviii-xviii
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Index
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- Talkies, Road Movies and Chick Flicks
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Talkies, Road Movies and Chick Flicks
- Gender, Genre and Film Sound in American Cinema
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6 - “An Increasingly Valid Form of Expression”: Teenspeak and Community Identity in the Work of Amy Heckerling
- from Part II - Ingenuity and Irony in the Heckerling Lexicon
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- ReFocus: The Films of Amy Heckerling
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Introduction
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Index
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- ReFocus: The Films of Amy Heckerling
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- 19 February 2016, pp 259-265
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13 - “True, Nervous”: American Expressionist Cinema and the Destabilized Male
- from PART II - EXPRESSIONISM IN GLOBAL CINEMA
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10 - Drakula halála (1921): The Cinema's First Dracula
- from PART II - EXPRESSIONISM IN GLOBAL CINEMA
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Part III - Femininity, Aging, and Postfeminism
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- ReFocus: The Films of Amy Heckerling
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8 - Amy Heckerling's Place in Hollywood: Issues of Aging and Sisterhood in I Could Never Be Your Woman and Vamps
- from Part III - Femininity, Aging, and Postfeminism
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PART I - EXPRESSIONISM IN GERMAN CINEMA
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3 - The Alienated Male: Silence and the Soundtrack in New Hollywood
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Frontmatter
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11 - Clueless Times at the Ferris Bueller Club: A Critical Analysis of the Directorial Works of Amy Heckerling and John Hughes
- from Part IV - Reflections on the Heckerling Oeuvre
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6 - Raskolnikow (1923): Russian Literature as Impetus for German Expressionism
- from PART I - EXPRESSIONISM IN GERMAN CINEMA
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Index of Film Titles
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Contents
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10 - “But Seriously, I Actually Have a Way Normal Life for a Teenage Girl”: The Teenage Female Empowerment Payoff in Amy Heckerling's Clueless
- from Part IV - Reflections on the Heckerling Oeuvre
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1 - Expressionist Cinema—Style and Design in Film History
- from PART I - EXPRESSIONISM IN GERMAN CINEMA
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4 - “As If a Girl's Reach Should Exceed Her Grasp”: Gendering Genericity and Spectatorial Address in the Work of Amy Heckerling
- from Part I - Heckerling in Teen Film and Television
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- 19 February 2016, pp 53-72
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