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12 - Seeing Crisis in Harry Piel’s Ein Unsichtbarer geht durch die Stadt (1933)
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Part IV - Genre Cinema
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Contents
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Part VII - German-International Film Relations
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Introduction
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13 - Playing the European Market: Marcel L’Herbier’s L’Argent (1928), Ufa, and German-French Film Relations
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Frontmatter
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Index
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Part V - Making Cinema Stars
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Notes on the Contributors
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2 - Film as Pedagogy in Late Weimar and Early Nazi Cinema: The Role of the Street in Mobilizing the Spectator
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1 - “Timid Heresies”: Werner Hochbaum’s Razzia in St. Pauli (1932)
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9 - Brigitte Helm and Germany’s Star System in the 1920s and 1930s
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8 - Regaining Mobility: The Aviator in Weimar Mountain Films
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Part I - Politics
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5 - Degenerate Disease and the Doctors of Death: Racial Hygiene Film as Propaganda in Weimar and Early Nazi Germany
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Part VI - Film Technologies
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3 - “A Fairy Tale for Grown-ups”: Financial and Cinematic Crises in Die Koffer des Herrn O.F. (1931)
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Part III - Concepts of Race and Ethnicity
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