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5 - Orientalist Itineraries: Cultural Hegemony, Gender, Race, and Religion in Ali and Nino
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- Approaches to Kurban Said's <I>Ali and Nino</I>
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Approaches to Kurban Said's Ali and Nino
- Love, Identity, and Intercultural Conflict
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Contents
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9 - The Female Body and the Seduction of Modernity in Ali and Nino
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Works Cited
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4 - Gendered Stereotypes and Cross-Cultural Moral Values through the Eyes of Kurban Said
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10 - Seeing the Unseen: Symbolic Writing in Ali and Nino
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Notes on the Contributors
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Acknowledgments
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3 - Glowing Rubies and Persian Daggers: The Role of Persian Poetry in Ali and Nino
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8 - “Herr Professor, Please: We'd Rather Stay in Asia”: Ali Khan Shirvanshir and the Spaces of Baku
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Hungarian Film, 1929–1947
- National Identity, Anti-Semitism and Popular Cinema
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A Note on Accents, Pronunciation, Names, and Spellings
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Acknowledgements
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Bibliography
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4 - Boom, Crisis and Anti-Semitic Reorganization 1936-1941
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List of Illustrations
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Epilogue: Industry Reboot and the Myth of a New Start 1945-1947
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Concluding Remarks
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Frontmatter
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