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12 - The Mimetic Attempt of Multiple Versions: Language, Voice, and Transcultural Talkies (1929–1932)
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11 - Die Nacht gehört uns/La nuit est à nous and Multilingual: Reception in Switzerland
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1 - The Aesthetics of Early Sound Film: An Introduction
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8 - Early Sound Films in France: Contexts and Experiments
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III - National Contexts
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7 - Early Japanese Sound Film Aesthetics at Shochiku and Nikkatsu
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13 - “How Did the Music Get to the Fish Market?”: On the Use of Nondiegetic Music in Early German Sound Films
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3 - Expressive Visual Effects from Silent to Sound Film
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General Bibliography
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IV - Speech and Language
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4 - From the Lexigraphic to the Melomanic: Accommodations to Sound in American Studio Animation
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V - Music and Noise
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Index
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6 - Futurists and ‘Homogenizers’ in Early Soviet Sound Film
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1 - Film Festivals, Paratextual Networks, and the Mediated Auteur Life Cycle
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Contents
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Index
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Part II - Text, Body, and Performance among East Asian Star-Auteurs
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Introduction
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Part I - East Asian Film Authorship, Transmedia Spaces, and Paratextual Economies
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