21719 results in Drama, Theatre, Performance Studies
John Ford: Critical Revisions. Edited by Michael Neill. Cambridge: Cambridge University Press, 1988. Pp. vi + 287. £27.50.
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- Theatre Research International / Volume 15 / Issue 2 / Summer 1990
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- 23 January 2009, pp. 175-177
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The Theatre of Tom Stoppard. By Anthony Jenkins. Cambridge: Cambridge University Press, 2nd. edition, 1989. Pp. xii + 200. £22.50; £7.95.
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- Theatre Research International / Volume 15 / Issue 2 / Summer 1990
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- 23 January 2009, pp. 198-199
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- Summer 1990
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The Plays of John Lyly. Edited by Carter A. Daniel. London and Toronto: Golden Cockerel Press, 1989. Pp. 384. £29.95.
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- Theatre Research International / Volume 15 / Issue 2 / Summer 1990
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- 23 January 2009, pp. 175-177
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OPR volume 2 issue 2 Cover and Back matter
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- Cambridge Opera Journal / Volume 2 / Issue 2 / July 1990
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- 27 August 2008, pp. b1-b6
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- July 1990
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Frontmatter
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8 - What does it mean to “become the character”: power, presence, and transcendence in Asian in-body disciplines of practice
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16 - Universals of performance; or amortizing play
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14 - Space and context
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Bibliography
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12 - Ethnographic notes on sacred and profane performance
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By Means of Performance
- Intercultural Studies of Theatre and Ritual
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11 - The profanation of the sacred in circus clown performances
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- 25 May 1990, pp 194-207
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Appendix
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1 - Are there universals of performance in myth, ritual, and drama?
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15 - The transformation of consciousness in ritual performances: some thoughts and questions
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Introduction
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4 - The Yaqui deer dance at Pascua Pueblo, Arizona
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- 25 May 1990, pp 82-95
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Notes on contributors
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- 25 May 1990, pp xi-xiv
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6 - Performance of precepts/precepts of performance: Hasidic celebrations of Purim in Brooklyn
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- 25 May 1990, pp 109-117
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Concerning Victor Turner
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- 25 May 1990, pp xv-xvi
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