21719 results in Drama, Theatre, Performance Studies
Celebration or Critique? Performing Peer Gynt in the Heart of Norway
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- New Theatre Quarterly / Volume 38 / Issue 1 / February 2022
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- 03 February 2022, pp. 37-47
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- February 2022
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Jan Suk Performing Immanence: Forced Entertainment Berlin, Boston: De Gruyter, 2021. 193 p. £72.50. ISBN: 978-3-11-071095-3.
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- New Theatre Quarterly / Volume 38 / Issue 1 / February 2022
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- 03 February 2022, p. 103
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- February 2022
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‘Je n’ai pas envie de chanter ce soir’: A Re-examination of Samuel Beckett’s Opera Collaboration Krapp, ou La Dernière bande
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- New Theatre Quarterly / Volume 38 / Issue 1 / February 2022
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- 03 February 2022, pp. 27-36
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- February 2022
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Chapter 1 - Where Is Poland? What Is Poland?
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- A History of Polish Theatre
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- 09 December 2021
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- 06 January 2022, pp 16-43
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Figures
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- Performance and Modernity
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- 09 December 2021
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- 06 January 2022, pp ix-ix
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Chapter 11 - Ritual Theatre
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- A History of Polish Theatre
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- 09 December 2021
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- 06 January 2022, pp 290-313
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8 - Trading On “Its Own Inherent Strength”
- from Part II - The Organizational Response
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- Negotiating Copyright in the American Theatre: 1856–1951
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- 23 December 2021
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- 06 January 2022, pp 186-210
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Index
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- Performance and Modernity
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- 09 December 2021
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- 06 January 2022, pp 289-300
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Chapter 2 - Staropolski (Old Polish) Theatre
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- A History of Polish Theatre
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- 09 December 2021
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- 06 January 2022, pp 44-67
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Chapter 4 - Advertising
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- Performance and Modernity
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- 09 December 2021
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- 06 January 2022, pp 160-202
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Chapter 3 - The Public Stage and the Enlightenment
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- A History of Polish Theatre
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- 09 December 2021
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- 06 January 2022, pp 68-99
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7 - Carl E. Ring and the American Playwright Trade Association
- from Part II - The Organizational Response
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- Negotiating Copyright in the American Theatre: 1856–1951
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- 23 December 2021
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- 06 January 2022, pp 167-185
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Figures
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- A History of Polish Theatre
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- 09 December 2021
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- 06 January 2022, pp viii-x
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Epilogue
- from Part II - The Organizational Response
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- Negotiating Copyright in the American Theatre: 1856–1951
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- 23 December 2021
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- 06 January 2022, pp 211-239
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Introduction - Bodies of Knowledge
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- Performance and Modernity
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- 09 December 2021
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- 06 January 2022, pp 1-18
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1 - Copyright and the Facilitation of Theatrical Production
- from Part I - Mediating the American Theatre
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- Negotiating Copyright in the American Theatre: 1856–1951
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- 23 December 2021
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- 06 January 2022, pp 17-27
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Copyright page
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- Performance and Modernity
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- 09 December 2021
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- 06 January 2022, pp iv-iv
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Introduction
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- Negotiating Copyright in the American Theatre: 1856–1951
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- 23 December 2021
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- 06 January 2022, pp 1-14
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3 - The Enduring “Piratical” Pursuits of Alexander Byers
- from Part I - Mediating the American Theatre
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- Negotiating Copyright in the American Theatre: 1856–1951
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- 23 December 2021
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- 06 January 2022, pp 60-82
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Part II - The Organizational Response
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- Negotiating Copyright in the American Theatre: 1856–1951
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- 23 December 2021
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- 06 January 2022, pp 133-239
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