21719 results in Drama, Theatre, Performance Studies
Unspoken Indigenous History on the Stage: The Postcolonial Plays of Jack Davis
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- New Theatre Quarterly / Volume 38 / Issue 4 / November 2022
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- 18 October 2022, pp. 333-345
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- November 2022
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The Ecological Resonance of Imogen’s Journey in Montana’s Parks
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- New Theatre Quarterly / Volume 38 / Issue 4 / November 2022
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- 18 October 2022, pp. 299-318
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- November 2022
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NTQ volume 38 issue 4 Cover and Front matter
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- New Theatre Quarterly / Volume 38 / Issue 4 / November 2022
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- 18 October 2022, pp. f1-f4
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- November 2022
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Playwriting Manuals, 1888–1925: Jerome K. Jerome, Alfred Hennequin, Agnes Platt, and Moses Malevinsky
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- New Theatre Quarterly / Volume 38 / Issue 4 / November 2022
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- 18 October 2022, pp. 362-378
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- November 2022
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A Private Honesty: Torture and Interiority in the Theatre of Sarah Kane
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- New Theatre Quarterly / Volume 38 / Issue 4 / November 2022
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- 18 October 2022, pp. 379-393
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- November 2022
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Lisa Woynarski Ecodramaturgies: Theatre, Performance and Climate Change London: Palgrave Macmillan, 2020. 239 p. £71.50. ISBN: 978-3-030-55853-6.
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- New Theatre Quarterly / Volume 38 / Issue 4 / November 2022
- Published online by Cambridge University Press:
- 18 October 2022, p. 395
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- November 2022
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Howard Webber Before the Arts Council: Campaigns for State Funding of the Arts in Britain, 1934–1944 London: Bloomsbury, 2021. 264 p. £85. ISBN: 978-1-3501-6793-3.
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- New Theatre Quarterly / Volume 38 / Issue 4 / November 2022
- Published online by Cambridge University Press:
- 18 October 2022, pp. 395-396
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- November 2022
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Dassia N. Posner and Kevin Bartig, with Maria De Simone, eds. Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev Bloomington, Indiana: Indiana University Press, 2021. 427 p. £40.00. ISBN: 978-0-253-05788-4.
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- New Theatre Quarterly / Volume 38 / Issue 4 / November 2022
- Published online by Cambridge University Press:
- 18 October 2022, pp. 394-395
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- November 2022
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Theater as Data: Computational Journeys into Theater Research. By Miguel Escobar Varela. Ann Arbor: University of Michigan Press, 2021. Pp. 248. £53.27/$71.95 Hb; £22.17/$29.95 Pb.
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- Theatre Research International / Volume 47 / Issue 3 / October 2022
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- 06 October 2022, pp. 317-318
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- October 2022
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TRI volume 47 issue 3 Cover and Back matter
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- Theatre Research International / Volume 47 / Issue 3 / October 2022
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- 06 October 2022, pp. b1-b2
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- October 2022
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Queering Romeo and Juliet in South Korea: Homonormativity as Gay Utopian Fantasy
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- Theatre Research International / Volume 47 / Issue 3 / October 2022
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- 06 October 2022, pp. 222-237
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- October 2022
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‘Purification’ and ‘Hybridization’: (Re)construction and Reception of Theatrical Nationality in Western Tours of the Mei Lanfang and Tsutsui Troupes in 1930
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- Theatre Research International / Volume 47 / Issue 3 / October 2022
- Published online by Cambridge University Press:
- 06 October 2022, pp. 238-251
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- October 2022
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TRI volume 47 issue 3 Cover and Front matter
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- Theatre Research International / Volume 47 / Issue 3 / October 2022
- Published online by Cambridge University Press:
- 06 October 2022, pp. f1-f3
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- October 2022
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Liveness: Performance in a Mediatized Culture. By Philip Auslander. Abingdon and New York: Routledge, 1999. Pp. 224. £120 Hb; £36 Pb.
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- Theatre Research International / Volume 47 / Issue 3 / October 2022
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- 06 October 2022, pp. 311-314
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- October 2022
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The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo. By M. W. Shores. Cambridge: Cambridge University Press, 2021. Pp. xii + 261. £75/$99.99 Hb.
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- Theatre Research International / Volume 47 / Issue 3 / October 2022
- Published online by Cambridge University Press:
- 06 October 2022, pp. 316-317
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- October 2022
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Editorial: On Critical and Convivial Assembly
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- Theatre Research International / Volume 47 / Issue 3 / October 2022
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- 06 October 2022, pp. 217-221
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- October 2022
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Whose Crisis? Syrian Refugees and the Turkish Stage – ADDENDUM
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- Theatre Research International / Volume 47 / Issue 3 / October 2022
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- 06 October 2022, p. 320
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- October 2022
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Dancing the Dharma: Religious and Political Allegory in Japanese Noh Theatre. By Susan Blakeley Klein. Cambridge, MA and London: Harvard University Asia Center, 2021. Pp. 401. £56.95/$70 Hb.
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- Theatre Research International / Volume 47 / Issue 3 / October 2022
- Published online by Cambridge University Press:
- 06 October 2022, pp. 318-319
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- October 2022
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‘We Already Carry Out a National Assignment’: Indigenous Performance and the Struggle for a Sámi National Theatre in Sweden
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- Theatre Research International / Volume 47 / Issue 3 / October 2022
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- 06 October 2022, pp. 272-293
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- October 2022
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Eimuntas Nekrošius's Transnational ‘Voice from Lithuania’: Reinterpreting Polish Classics within Frames of the Theatre of Sensual Metaphors
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- Theatre Research International / Volume 47 / Issue 3 / October 2022
- Published online by Cambridge University Press:
- 06 October 2022, pp. 252-271
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- October 2022
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