21719 results in Drama, Theatre, Performance Studies
Labors Lost: Women's Work and the Early Modern English Stage. By Natasha Korda. Philadelphia: University of Pennsylvania Press, 2011. Pp. 360. £45.50/$69.95 Hb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 257-258
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Megaship Economies and Transnational Maritime Performance
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 182-197
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TRI volume 39 issue 3 Cover and Back matter
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. b1-b6
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- October 2014
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South African Performance and Archives of Memory. By Yvette Hutchison. Manchester: Manchester University Press, 2013. Pp. 256. £65/$104 Hb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 248-249
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- October 2014
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Politics and Anti-realism in Athenian Old Comedy: The Art of the Impossible. By Ian Ruffell. Oxford: Oxford University Press, 2011. Pp. 499. £74 Hb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 240-241
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- October 2014
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Performing Early Modern Drama Today. Edited by Pascale Aebischer and Kathryn Prince. Cambridge: Cambridge University Press, 2012. Pp. xiii + 247 + 5 illus. £60/$99 Hb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 246-247
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- October 2014
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Distance, Theatre, and the Public Voice, 1750–1850. By Melynda Nuss. Palgrave Macmillan, 2012. Pp. x + 197. $178.95 Hb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 251-252
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- October 2014
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The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830–1870. By Jacky Bratton. Cambridge: Cambridge University Press, 2011. Pp. 230. £60 Hb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 235-236
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- October 2014
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Readings in Performance and Ecology. Edited by Wendy Arons and Theresa J. May. New York: Palgrave Macmillan, 2012. Pp. 256. $95 Hb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 243-244
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- October 2014
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Editorial: Theatre, Transnationalism and Economy: A Collaboration with Theatre Survey
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 165-167
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- October 2014
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Mime, Music and Drama on the Eighteenth-Century Stage: The Ballet d’Action. By Edward Nye. Cambridge: Cambridge University Press, 2011. Pp. xi + 326. £60 Hb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 237-238
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- October 2014
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Theatre, Youth, and Culture: A Critical and Historical Exploration. By Manon van de Water. New York: Palgrave Macmillan, 2012. Pp. ix + 201. $85 Hb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 252-253
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- October 2014
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Stranger Communities: Art Labour and Berliner Butoh
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 217-232
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- October 2014
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‘We’re People Who Do Shows’: Back to Back Theatre: Performance Politics Visibility. Edited by Helena Grehan and Peter Eckersall. Aberystwyth: Performance Research Books, 2013. Pp vii + 282. £28 Pb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 244-245
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- October 2014
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Show Boat: Performing Race in an American Musical. By Todd Decker. New York: Oxford University Press, 2013. Pp. xv + 328. £22.50/$35 Hb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 256-257
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- October 2014
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Burnt Cork: Traditions and Legacies of Blackface Minstrelsy. Edited by Stephen Johnson. Amherst and Boston: University of Massachusetts Press, 2012. Pp. xii + 266. $28.95 Pb; $80 Hb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 249-250
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Twentieth-Century British Theatre: Industry, Art and Empire. By Claire Cochrane. Cambridge: Cambridge University Press, 2011. Pp. 353. £60 Hb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 234-235
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- October 2014
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Geen Grenzen Meer: An American Musical's Unlimited Border Crossing1
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 198-216
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- October 2014
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The Plays of Samuel Beckett. By Katherine Weiss. London: Methuen Drama, 2013. Pp. 286. £14.99 Pb.
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
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- 16 September 2014, pp. 238-239
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- October 2014
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TRI volume 39 issue 3 Cover and Front matter
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- Theatre Research International / Volume 39 / Issue 3 / October 2014
- Published online by Cambridge University Press:
- 16 September 2014, pp. f1-f4
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- October 2014
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