21719 results in Drama, Theatre, Performance Studies
Fiona Wilkie Performance, Transport, and Mobility: Making PassageBasingstoke: Palgrave Macmillan, 2015. 211 p. £55.00. ISBN: 978-0-230-34315-3.
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- New Theatre Quarterly / Volume 31 / Issue 4 / November 2015
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- 09 October 2015, pp. 397-398
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- November 2015
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Elaine Aston and Geraldine Harris A Good Night Out for the Girls: Popular Feminisms in Contemporary Theatre and PerformanceBasingstoke: Palgrave Macmillan, 2015. 228 p. £18.99. ISBN: 978-113-751820-0.
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- New Theatre Quarterly / Volume 31 / Issue 4 / November 2015
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- 09 October 2015, pp. 398-399
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- November 2015
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Radical Theatre Mobility: Unity Theatre, UK, and the New Theatre, Australia
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- New Theatre Quarterly / Volume 31 / Issue 4 / November 2015
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- 09 October 2015, pp. 328-342
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- November 2015
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NTQ volume 31 issue 4 Cover and Front matter
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- New Theatre Quarterly / Volume 31 / Issue 4 / November 2015
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- 09 October 2015, pp. f1-f4
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- November 2015
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NTQ volume 31 issue 4 Cover and Back matter
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- New Theatre Quarterly / Volume 31 / Issue 4 / November 2015
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- 09 October 2015, pp. b1-b2
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- November 2015
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(Re)constructing Political Theatre: Discursive and Practical Frameworks for Theatre as an Agent for Change
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- New Theatre Quarterly / Volume 31 / Issue 4 / November 2015
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- 09 October 2015, pp. 380-396
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- November 2015
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Tom Maguire Performing Story on the Contemporary StageBasingstoke: Palgrave Macmillan, 2015. 201 p. £55. ISBN: 978-1-137-35640-6.
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- New Theatre Quarterly / Volume 31 / Issue 4 / November 2015
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- 09 October 2015, p. 399
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- November 2015
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Dissimulation in the Commedia dell’Arte Scenarios of Flaminio Scala, 1611
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- New Theatre Quarterly / Volume 31 / Issue 4 / November 2015
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- 09 October 2015, pp. 312-328
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- November 2015
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16 - The Harlow portrait of Charles Mathews
- from Part IV - ‘Alone I did it!’: the case of Charles Mathews
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- Comic Acting and Portraiture in Late-Georgian and Regency England
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- 05 October 2015
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- 08 October 2015, pp 230-246
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13 - Actors as artists and connoisseurs
- from Part III - Chaste as a picture by Wilkie
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- Comic Acting and Portraiture in Late-Georgian and Regency England
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- 08 October 2015, pp 180-192
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Copyright page
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- Comic Acting and Portraiture in Late-Georgian and Regency England
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- 08 October 2015, pp iv-iv
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Illustrations
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- Comic Acting and Portraiture in Late-Georgian and Regency England
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- 08 October 2015, pp ix-xiii
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15 - Charles Mathews: paintings, portraits and prints
- from Part IV - ‘Alone I did it!’: the case of Charles Mathews
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- Comic Acting and Portraiture in Late-Georgian and Regency England
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- 08 October 2015, pp 214-229
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Dedication
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- Comic Acting and Portraiture in Late-Georgian and Regency England
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- 08 October 2015, pp v-vi
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Bibliography
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- Comic Acting and Portraiture in Late-Georgian and Regency England
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- 08 October 2015, pp 247-257
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2 - Artists and comic actors
- from Part I - English comic actors and their representation
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- Comic Acting and Portraiture in Late-Georgian and Regency England
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- 08 October 2015, pp 11-31
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11 - JohnBannister: ‘the best kind of Englishman’
- from Part III - Chaste as a picture by Wilkie
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- Comic Acting and Portraiture in Late-Georgian and Regency England
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- 05 October 2015
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- 08 October 2015, pp 152-164
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3 - Perspectives on comedy and comic acting
- from Part I - English comic actors and their representation
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- Comic Acting and Portraiture in Late-Georgian and Regency England
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- 08 October 2015, pp 32-44
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Part III - Chaste as a picture by Wilkie
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- Comic Acting and Portraiture in Late-Georgian and Regency England
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- 08 October 2015, pp 123-192
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14 - Charles Mathews ‘At Home’
- from Part IV - ‘Alone I did it!’: the case of Charles Mathews
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- Comic Acting and Portraiture in Late-Georgian and Regency England
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- 05 October 2015
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- 08 October 2015, pp 195-213
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