3307 results in Drama and Theatre: general interest
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Part III - THEATRE STUDIES BETWEEN DISCIPLINES
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Chapter 7 - Text and performance
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Notes
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Introduction: theatre and theatre studies
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18 - Revisiting classic musicals: revivals, films, television and recordings
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8 - The coming of the musical play: Rodgers and Hammerstein
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9 - The successors of Rodgers and Hammerstein from the 1940s to the 1960s
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- 22 May 2008, pp 164-189
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Select bibliography
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13 - From Hair to Rent: is ‘rock’ a four-letter word on Broadway?
- from Part III - Evolutions and integrations: after 1970
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- 22 May 2008, pp 235-249
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19 - The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked
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14 - The megamusical: the creation, internationalisation and impact of a genre
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Part III - Evolutions and integrations: after 1970
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1 - American musical theatre before the twentieth century
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16 - New horizons: the musical at the dawn of the twenty-first century
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7 - ‘We said we wouldn't look back’: British musical theatre, 1935–1960
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4 - American and British operetta in the 1920s: romance, nostalgia and adventure
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15 - ‘Something borrowed, something blue’: the marriage of the musical and Europe
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6 - The melody (and the words) linger on: American musical comedies of the 1920s and 1930s
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- 22 May 2008, pp 103-124
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12 - Choreographers, directors and the fully integrated musical
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- 22 May 2008, pp 220-234
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