Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- 1 Introduction: An Historiographical Perspective on Women Making Netherlandish Art History
- 2 Catharina Van Hemessen’s Self-Portrait: The Woman Who Took Saint Luke’s Palette
- 3 By Candlelight: Uncovering Early Modern Women’s Creative Uses of Night
- 4 In Living Memory: Architecture, Gardens, and Identity at Huis ten Bosch
- 5 Louise Hollandine and the Art of Arachnean Critique
- 6 Reclaiming Reproductive Printmaking
- 7 Towards an Understanding of Mayken Verhulst and Volcxken Diericx
- Index
Acknowledgements
Published online by Cambridge University Press: 20 November 2020
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- 1 Introduction: An Historiographical Perspective on Women Making Netherlandish Art History
- 2 Catharina Van Hemessen’s Self-Portrait: The Woman Who Took Saint Luke’s Palette
- 3 By Candlelight: Uncovering Early Modern Women’s Creative Uses of Night
- 4 In Living Memory: Architecture, Gardens, and Identity at Huis ten Bosch
- 5 Louise Hollandine and the Art of Arachnean Critique
- 6 Reclaiming Reproductive Printmaking
- 7 Towards an Understanding of Mayken Verhulst and Volcxken Diericx
- Index
Summary
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- Type
- Chapter
- Information
- Women Artists and Patrons in the Netherlands, 1500-1700 , pp. 11 - 12Publisher: Amsterdam University PressPrint publication year: 2019