Book contents
- Frontmatter
- Contents
- Contributors
- Foreword
- 1 Introduction: Empson as literary theorist: from Ambiguity to Complex Words and beyond
- 2 Empsonian honesty and the beginnings of individualism
- 3 Empson, Leavis, and the challenge of Milton
- 4 Empson's Satan: an ambiguous character of the seventh type
- 5 Compacted doctrines: Empson and the meanings of words
- 6 Figural narrative and plot construction: Empson on pastoral
- 7 More lurid figures: de Man reading Empson
- 8 Fool and pharmakon
- 9 William Empson's cosmicomics
- 10 Empson as teacher: the Sheffield years
- References
- Index
9 - William Empson's cosmicomics
Published online by Cambridge University Press: 01 June 2011
- Frontmatter
- Contents
- Contributors
- Foreword
- 1 Introduction: Empson as literary theorist: from Ambiguity to Complex Words and beyond
- 2 Empsonian honesty and the beginnings of individualism
- 3 Empson, Leavis, and the challenge of Milton
- 4 Empson's Satan: an ambiguous character of the seventh type
- 5 Compacted doctrines: Empson and the meanings of words
- 6 Figural narrative and plot construction: Empson on pastoral
- 7 More lurid figures: de Man reading Empson
- 8 Fool and pharmakon
- 9 William Empson's cosmicomics
- 10 Empson as teacher: the Sheffield years
- References
- Index
Summary
Qu'une réalité se cache derrière les apparences, cela est, somme toute, possible; que le langage puisse la rendre, il serait ridicule de l'espérer.
E. M. CioranLE COSMICOMICHE
The third piece (one hardly dares call it a ‘story’) of Calvino's Le Cosmicomiche is entitled ‘A sign in space’ (‘Un segno nello spazio’). In it, an aged entity recalls how, in the virgin universe of the very beginnings, he made the first sign: ‘What kind of a sign? It's difficult to say - if I say “sign”, you immediately think of something that is distinct from something else, but in those days nothing was distinct from nothing’ (Calvino, 1965, p. 41). The ‘story’ tells us how, having made the sign in one specific point of the universe (whereby this point became a point, being the only point different from all others, and he became, as the maker of the only sign, somebody), he had to wait for a complete revolution of the galaxy, a mere two hundred million years, to have a look at it. The rest of the story rings a tragic note. After this long wait, he found the sign erased by another, invidious, entity, took to making feigned signs, was imitated and found himself again in a universe without a point of reference, not for lack of a sign, but for an excess of signs, their multiplication having occupied all the available space and cancelled all differences between signs and things: ‘In the universe, there was no longer container and contents, only a general thickness of agglutinated signs’ (p. 51).
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- Information
- William EmpsonThe Critical Achievement, pp. 269 - 293Publisher: Cambridge University PressPrint publication year: 1993