Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-45l2p Total loading time: 0 Render date: 2024-04-28T17:00:14.770Z Has data issue: false hasContentIssue false

sixteen - Artist and founder of DetroitYES

Published online by Cambridge University Press:  05 April 2022

Brian Doucet
Affiliation:
University of Waterloo, Canada
Get access

Summary

This final section of the book features interviews with inspiring and engaged Detroiters who have strong visions for the city and how to make it more inclusive, just and fair. Many of these voices do not regularly feature in either academic debates nor wider policy, planning or political conversations about the city. I consider it an honor and privilege to be able to feature these voices within this book.

Our first conversation is with Lowell Boileau, a Detroit-area-based artist and founder of the DetroitYES website. A fine art painter by training, Boileau began documenting the abandoned buildings of Detroit in the mid-1990s, long before it was fashionable or popular to do so. His Fabulous Ruins of Detroit web tour was an Internet sensation when it was launched in 1997. What sets this site apart from many others is the contextualization and explanation that comes along with his work. He has been described as a “longstanding documentarian” by Nate Millington (2013) and an “unofficial city historian” by Dora Apel (2015). Boileau lived in Highland Park between 1972 and 1999, and after moving with his family to Farmington in 1999, maintained a studio in the Michigan Building in Downtown. A visit to his web tour reveals “the story of modern day Detroit [that] will unfold in all its complexity.” His original Fabulous Ruins site has evolved into DetroitYES, a forum to discuss all things Detroit (see: www.detroityes.com).

Your Fabulous Ruins of Detroit web tour was one of the first places that showed Detroit's ruined landscape; what prompted you to set up that site?

It was a mix of mischief and concern. On the concern side, I am a champion of Detroit. I didn't feel that the story of Detroit was being fairly portrayed. I wanted to kick back against that by explaining, through the ruins, how the City of Detroit came to be what it had become. I wanted to bring to attention that some very important historic and architecturally significant properties were in danger of loss; that a loss of our heritage was at stake. There was a mischief side too. As far as city officials and most locals were concerned, they wanted to deny the ruins, shun them, and forget about them.

Type
Chapter
Information
Why Detroit Matters
Decline, Renewal and Hope in a Divided City
, pp. 277 - 282
Publisher: Bristol University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×