In The Waves (1931), likely Virginia Woolf 's most poetic work, some phrases seem to echo not only Walt Whitman's language but also his sense of collective identity expressed in poems such as “Song of Myself.” Terence Hewet also reads aloud from Whitman in The Voyage Out (1915), leading the inquisitive reader to wonder about Woolf 's interest in the poet. While Woolf 's diaries and letters offer very few clues, her essays reveal that Woolf upheld Whitman as a model of a truly great and pioneering author. In three essays written in the years following The Voyage Out, Woolf references Whitman. In “Mr Symons's Essays” (1916), she presents Whitman as a cure-all for writers intent only on producing “fine words with the semblance of beauty on them” (E2 69). In “Melodious Meditations” (1917), she writes of American literature that “there is nothing to blush at in the whole of it, except perhaps Walt Whitman” (80) and later continues, in surprisingly unreserved praise:

In 1918, Woolf 's enthusiasm for the poet continues in her review of Johnston and Wallace's Visits to Walt Whitman. Here she seems charmed by the authors’ descriptions of Whitman appearing like a “retired farmer” and “at pains to bring his common humanity to the forefront” (206). She is also captivated by the “flame of the spirit” of Whitman's circle of readers (205). Melba Cuddy-Keane has written that these Whitman scholars likely seemed to Woolf, especially during wartime, “a model of community” (42). Woolf 's own admiration for the poet shines through when she adds: “In Whitman the capacity for pleasure seemed never to diminish, and the power to include grew greater and greater” (207).

These direct allusions to Whitman, all from 1915–1918, cluster around Woolf's first published novel and the founding of the Hogarth Press.