Virginia Woolf's life and work demonstrate what a press of one's own provides: autonomy, subversive potential to evade censors, and the sheer delight of creation and communication. Such a press brings the camaraderie that comes from sharing one's words with like-minded peers—and publishing theirs. If we imagine it tweaked a bit with technological updates, a passage in Three Guineas rings true today:

Much, of course, has changed since the early twentieth century when she and Leonard launched their press. What is involved in launching a press of one's own for the 21st century? The technological choices are quite different; one can publish on-line, or design publications digitally for print publication, for example. Reviving technologies such as letterpress printing, or combining digital and retro technologies in hybrid forms can broaden the scope as well. More visual options are available for illustrations or visual annotations of a text. For all the changes, however, the essence of a press of one's own is the same: autonomy and freedom from censors.

Virginia Woolf is the muse, mentor and role model for my forays into letterpress and the book arts as I establish my own press, Making Waves Press. Making Waves Press has printed letterpress broadsides of Woolf 's phrases, a letterpress chapbook of the poems of Septimus Warren Smith, Revelations in Vision & Song (2013) and my first full-length book digitally designed for print, Judith's Room, which had its debut at the Virginia Woolf and the World of Books conference.