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Luff, Alan (ed.). Strengthen for Service: 100 Years of the English Hymnal 1906–2006 (Norwich: Canterbury Press, 2005).Google Scholar

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Frogley, Alain. ‘Constructing Englishness in Music: National Character and the Reception of Ralph Vaughan Williams’. In Frogley, Vaughan Williams Studies, 1–22.CrossRefGoogle Scholar

Frogley, Alain. ‘Vaughan Williams and Nazi Germany: The 1937 Hamburg Shakespeare Prize’. In Brüstle, Christa and Heldt, Guido (eds.), Music as a Bridge: Musikalische Beziehungen zwischen England und Deutschland (Hildesheim: Georg Olms Verlag, 2005), 113–32.Google Scholar

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Thomson, Aidan J. ‘Becoming a National Composer: Critical Reception to c. 1925’. In Frogley and Thomson, The Cambridge Companion to Vaughan Williams, 56–78.Google Scholar

Cook, Nicholas, Clarke, Eric, Leech-Wilkinson, Daniel, and Rink, John (eds.), The Cambridge Companion to Recorded Music (Cambridge: Cambridge University Press, 2009).CrossRefGoogle Scholar

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Frogley, Alain. ‘“The Old Sweet Anglo-Saxon Spell”: Racial Discourses and the American Reception of British Music, 1895–1933’. In Brown, Julie (ed.), Western Music and Race (Cambridge: Cambridge University Press, 2007), 244–57.Google Scholar

Frogley, Alain. ‘Vaughan Williams and the New World: Manuscript Sources in North American Libraries’. Notes: Quarterly Journal of the Music Library Association 53/4 (June 1992), 1175–92.Google Scholar

Levy, Beth. Frontier Figures: American Music and the Mythology of the American West (Berkeley: University of California Press, 2012).Google Scholar

Moore, MacDonald Smith. Yankee Blues: Musical Culture and American Identity (Bloomington: Indiana University Press, 1985).Google Scholar