Book contents
- Frontmatter
- Contents
- Preface
- Notational conventions
- 1 Setting the stage
- 2 Tonal representation and tonal processes
- 3 Directionality and interacting sandhi processes I
- 4 Directionality and interacting sandhi processes II
- 5 From base tones to sandhi forms: a constraint-based analysis
- 6 From tone to accent
- 7 Stress-foot as sandhi domain I
- 8 Stress-foot as sandhi domain II
- 9 Minimal rhythmic unit as obligatory sandhi domain
- 10 Phonological phrase as a sandhi domain
- 11 From tone to intonation
- Concluding remarks
- Bibliographical appendix Tone sandhi across Chinese dialects
- References
- Subject index
- Author index
11 - From tone to intonation
Published online by Cambridge University Press: 24 October 2009
- Frontmatter
- Contents
- Preface
- Notational conventions
- 1 Setting the stage
- 2 Tonal representation and tonal processes
- 3 Directionality and interacting sandhi processes I
- 4 Directionality and interacting sandhi processes II
- 5 From base tones to sandhi forms: a constraint-based analysis
- 6 From tone to accent
- 7 Stress-foot as sandhi domain I
- 8 Stress-foot as sandhi domain II
- 9 Minimal rhythmic unit as obligatory sandhi domain
- 10 Phonological phrase as a sandhi domain
- 11 From tone to intonation
- Concluding remarks
- Bibliographical appendix Tone sandhi across Chinese dialects
- References
- Subject index
- Author index
Summary
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Abook%3A9780511486364/resource/name/firstPage-9780511486364c11_p475-503_CBO.jpg)
- Type
- Chapter
- Information
- Tone SandhiPatterns across Chinese Dialects, pp. 475 - 503Publisher: Cambridge University PressPrint publication year: 2000