Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-tn8tq Total loading time: 0 Render date: 2024-06-23T00:58:46.186Z Has data issue: false hasContentIssue false

8 - Ratana Pestonji and Santi Vina: Exploring the ‘Master’ of Thai Cinema during Thailand's ‘American Era’

Published online by Cambridge University Press:  20 November 2020

Get access

Summary

Abstract

In recent years there has been a surge of interest in and recognition of post-World War II Thai filmmaker Ratana Pestonji (1908-1970), who often takes pride of place in narratives of Thai film history as a rare early Thai auteur untouched by the trappings of commercial filmmaking and bravely fighting against the monopolizing Hollywood system. This chapter seeks to clarify Pestonji's activities during the crucial and politically complex 1950s post-war period. Drawing largely upon historical sources and accounts from America, the chapter highlights Pestonji's close relationship with Hollywood filmmakers based in Thailand, suggesting that Pestonji's history and relationship with Hollywood studios in the early 1950s could potentially undermine posthumous nationalist constructions of this filmmaker.

Keywords: 1950s, Thailand, Ratana Pestonji, America, SANTI VINA

To scholars of Thai film history, director Ratana Pestonji (1908-1970) needs little introduction. Born on 22 May 1908 at Rongmeung Road, Bangkok, Thailand, Ratana was of South Asian origin and spent time studying in both India and the UK. Exhibiting a strong interest and talent for photography and filmmaking from an early age, Ratana graduated from the UK in 1932 with a degree in mechanical engineering and continued to enter and win amateur photography competitions throughout his studies. Returning to Thailand in the late 1930s, Ratana then further explored his interest in filmmaking by taking photographs and recording short film reels in Thailand during World War II, later collecting an award for his short film Tang (Pestonji, 1937) at a film festival in Glasgow, resulting in a now-infamous picture of him receiving the prize from Alfred Hitchcock in 1937. History then records his ‘big break’ as cinematographer for director Prince Bhanu Yugala, a keen pre-World War II filmmaker who founded the production company Thai Film Company. Ratana eventually branched out alone, founding the Far East Film Company Ltd around early 1953 and making a small number of highly lauded films throughout the 1950s and 1960s before his death in 1970.

Type
Chapter
Information
Southeast Asia on Screen
From Independence to Financial Crisis (1945–1998)
, pp. 171 - 192
Publisher: Amsterdam University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×