Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-qs9v7 Total loading time: 0 Render date: 2024-07-12T04:21:16.888Z Has data issue: false hasContentIssue false

eleven - Encountering public art: monumental breasts and the Skywhale

Published online by Cambridge University Press:  22 April 2022

Sally Dowling
Affiliation:
University of the West of England
David Pontin
Affiliation:
University of South Wales
Kate Boyer
Affiliation:
Cardiff University
Get access

Summary

Introduction

This chapter is grounded in the idea that more visual imagery of breastfeeding will contribute to its normalisation, and counter the commercial sexualisation of breasts. I suggest, however, that this strategy is not just about seeing but also about feeling. To demonstrate this I turn to a controversial piece of public art – Patricia Piccinini's Skywhale – which was launched in Australia in 2013 and has been touring internationally. The Skywhale is a hot-air balloon in the shape of a fantastical creature of the imagination, which features five giant breasts on each side. This unexpected flying mammal provokes responses wherever it goes, and arguably provides productive ways of engaging public responses to breastfeeding and maternity. In this chapter I examine responses to Skywhale through broadsheet and social media, and then analyse its affective domain through psychoanalytic concepts and its materiality through the tradition of public art and monuments. The extremes of intimacy and monumentality configured through Skywhale offer an object par excellence for seeing breastfeeding writ large in the public domain, and for feeling the return of the maternal. This, I argue, is fundamental to a shift in perceiving breasts as maternal, and breastfeeding as normative.

Debates around breastfeeding in public often rest on a perceived dichotomy between sexualised breasts being an accepted and ubiquitous aspect of public visual culture, and baby-feeding breasts being an apparently unacceptable – because unusual – public sight and therefore a spectacle. Garland-Thomson reminds us that despite a long cultural history of maternal breasts being ‘on view’, they have now ‘almost entirely receded from view’: ‘We expect maternal breasts to be sequestered in private spaces whereas erotic breasts are unremarkable staples of public visual culture’ (Garland-Thomson, 2009: 143). To gauge the impact of seeing breastfeeding, Hoddinott et al (2010) developed a ‘Seeing Breastfeeding’ scale to examine the relation between women's reaction to seeing breastfeeding and their likelihood of breastfeeding their babies. From their study of over 400 women in Scotland they found that ‘the most important predictor of intending to breastfeed was the woman's attitude to her most recent experience of seeing breastfeeding’ (Hoddinott et al, 2010: 134).

Type
Chapter
Information
Social Experiences of Breastfeeding
Building Bridges between Research, Policy and Practice
, pp. 205 - 218
Publisher: Bristol University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×