[The plays selected this year by our reviewer for extended criticism are Twelfth Night, Merchant of Venice, and Henry V at the Old Vic Theatre, October 1950-March 1951]

For some years before the war there was one theatre in England, and perhaps only one, which could be confidently relied upon to produce Shakespeare for Shakespeare’s sake—the Old Vic in the Waterloo Road. When in 1941 the building was damaged by bombs, the company moved to another theatre, in London’s west end; but though there were still individual productions of distinction and star performances of particular roles, something of the special glory of the Old Vic seemed to evaporate with the change of quarters. The post-war reorganization of the Memorial Theatre at Stratford, of the old double shrine of Ham and Whimsy, and the startling emergence there of a true Shakespearian style have since provided another stage on which authentic productions of Shakespeare’s plays may be expected. Yet even with this second stronghold in being, there are many who have waited anxiously for the reopening of the theatre in the Waterloo Road, in the hope that with it might reappear the old qualities, of faithfulness to the text and to the spirit of the plays, of star turns subordinated to team-work, and of stagecraft inventive but never fanciful or perverse.