The question of whether the first (1599) Globe theatre had a sign, and if so what it showed, is one that has teased scholars for some time. Sir Edmund Chambers set a tone of scepticism when he concluded his account of the Globe with the comments: ‘Malone conjectured that the name “Globe” was taken from the sign, “which was a figure of Hercules supporting the Globe, under which was written Totus mundus agit histrionem”. I do not know where he got this information.’ Ernest Schanzer demonstrated that Malone in fact got his information from the great Shakespearian scholar, George Steevens, who in turn possibly got it from the antiquarian William Oldys (1696–1761), which does not establish it as fact but at least takes it out of the realm of pure conjecture, where Chambers seemed to imply that it belonged. We do know that other contemporary playhouses boasted such signs. Johannes de Witt noted in 1596 that the two ‘more magnificent’ of the four theatres he saw around London were sited south of the Thames ‘and from the signs suspended before them are called the Rose and the Swan’.