Skip to main content Accessibility help
×
  • Cited by 33
Publisher:
Cambridge University Press
Online publication date:
September 2009
Print publication year:
2007
Online ISBN:
9780511484209

Book description

Dramatic changes in the reading public and literary market in early nineteenth-century England not only altered the relationship between poet and reader, these changes prompted marked changes in conceptions of the poetic text, literary reception, and authorship. With the decline of patronage, the rise of the novel and the periodical press, and the emergence of the mass reading public, poets could no longer assume the existence of an audience for poetry. Andrew Franta examines how the reconfigurations of the literary market and the publishing context transformed the ways poets conceived of their audience and the forms of poetry itself. Through readings of Wordsworth, Byron, Shelley, Keats, Hemans, and Tennyson, and with close attention to key literary, political, and legal debates, Franta proposes a unique reading of Romanticism and its contribution to modern conceptions of politics and publicity.

Reviews

'Acute and suggestive in its readings, Romanticism [and the Rise of the Mass Public] is a welcome addition to the scholarship on the converging stories of Romanticism and the mass public in modernity and is of definite interest for scholars drawn to the subject.'

Source: Modern Philology

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Bibliography
Bibliography
Abrams, M. H.The Mirror and the Lamp: Romantic Theory and the Critical Tradition. New York: Oxford University Press, 1953.
Abrams, M. H.Natural Supernaturalism: Tradition and Revolution in Romantic Literature. New York: Norton, 1971.
Abrams, M. H.“Two Roads to Wordsworth.” 1972. Rpt. in The Correspondent Breeze: Essays on English Romanticism. New York: Norton, 1984. 145–57.
Abrams, M. H. ed. English Romantic Poets: Modern Essays in Criticism. New York: Oxford University Press, 1960.
Dante, Alighieri. Il Convito: The Banquet of Dante Alighieri. Trans. Elizabeth Price Sayer. New York: G. Routledge and Sons, 1887.
Altick, Richard D.The English Common Reader: A Social History of the Mass Reading Public, 1800–1900. Chicago: University of Chicago Press, 1957.
Altieri, Charles. “Wordsworth's Poetics of Eloquence: A Challenge to Contemporary Theory.” In Romantic Revolutions: Criticism and Theory. Eds. Johnston, Kenneth R. et al. Indianapolis: Indiana University Press, 1990. 371–407.
Arac, Jonathan. Critical Genealogies: Historical Situations for Postmodern Literary Studies. New York: Columbia University Press, 1987.
Armstrong, Isobel. Victorian Poetry: Poetry, Poetics and Politics. 1993. London: Routledge, 1996.
Armstrong, Nancy. Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press, 1987.
Austin, J. L.How To Do Things With Words. 1962. Cambridge: Harvard University Press, 1975.
Babbitt, Irving. Rousseau and Romanticism. 1919. Austin: University of Texas Press, 1977.
Baker, Carlos. Shelley's Major Poetry: The Fabric of a Vision. Princeton: Princeton University Press, 1948.
Baker, J. H.An Introduction to English Legal History. 2nd ed. London: Butterworths, 1979.
Barcus, James E., ed. Shelley: The Critical Heritage. London: Routledge & Kegan Paul, 1975.
Barker-Benfield, G. J.The Culture of Sensibility: Sex and Society in Eighteenth-Century England. Chicago: University of Chicago Press, 1992.
Barney, Darin. Prometheus Wired: The Hope for Democracy in the Age of Network Technology. Chicago: University of Chicago Press, 2000.
Barrell, John. The Birth of Pandora and the Division of Knowledge. Philadelphia: University of Pennsylvania Press, 1992.
Barrell, JohnImagining the King's Death: Figurative Treason, Fantasies of Regicide. Oxford: Oxford University Press, 2000.
Barrell, JohnDivided We Grow.” London Review of Books (5 June 2003): 811.
Barthes, Roland. “The Death of the Author.” In Image, Music, Text. Ed. and trans. Heath, Stephen. New York: Hill and Wang, 1977. 142–48.
Bate, Walter Jackson. John Keats. Cambridge: Harvard University Press, 1964.
Bateson, F. W.Wordsworth: A Re-interpretation. London: Longman, Green, and Co., 1956.
Bayley, John. The Uses of Division: Unity and Disharmony in Literature. London: Chatto & Windus, 1976.
Behrendt, Stephen C.Shelley and His Audiences. Lincoln: University of Nebraska Press, 1989.
Behrendt, Stephen C. ed. Romanticism, Radicalism, and the Press. Detroit: Wayne State University Press, 1997.
Benjamin, Walter. “The Task of the Translator.” In Illuminations. Trans. Harry Zohn. New York: Schocken Books, 1969. 69–82.
Bennett, Andrew. Keats, Narrative and Audience: The Posthumous Life of Writing. Cambridge: Cambridge University Press, 1994.
Bennett, Andrew“Shelley in Posterity.” In Shelley: Poet and Legislator of the World. Ed. Bennett, Betty T. and Curran, Stuart. Baltimore: Johns Hopkins University Press, 1996. 215–23.
Bennett, AndrewRomantic Poets and the Culture of Posterity. Cambridge: Cambridge University Press, 1999.
Bennett, AndrewOn Posterity.” Yale Journal of Criticism 12:1 (1999): 131–44.
Bentham, Jeremy. A Fragment on Government. Ed. Harrison, Ross. Cambridge: Cambridge University Press, 1988.
Bentham, JeremyThe Works of Jeremy Bentham. Ed. Bowring, John. Vol. 2. Edinburgh, 1843.
Bialostosky, Don H.Wordsworth, Dialogics, and the Practice of Criticism. Cambridge: Cambridge University Press, 1992.
Blackstone, William. Commentaries on the Laws of England. With notes and additions by Christian, Edward. 15th ed. Vol. 4. London, 1809.
Blake, William. The Marriage of Heaven and Hell. In Blake's Poetry and Designs. Ed. Johnson, Mary Lynn and Grant, John E.. New York: Norton, 1979.
Bloom, Harold, ed. Romanticism and Consciousness. New York: Norton, 1970.
Bobbio, Norberto. Left and Right: The Significance of a Political Distinction. Trans. Allan Cameron. Chicago: University of Chicago Press, 1996.
Boswell, James. Life of Johnson. Oxford: Oxford University Press, 1980.
James, Boyle D. A.The Search for an Author: Shakespeare and the Framers.” American University Law Review 37:3 (1988): 625–43.
Bradley, A. C.The Reaction Against Tennyson.” In Tennyson's Poetry. 585–92.
Brantlinger, Patrick. The Reading Lesson: The Threat of Mass Literacy in Nineteenth-Century British Fiction. Bloomington: Indiana University Press, 1998.
Brewer, John. Party Ideology and Popular Politics at the Accession of George III. Cambridge: Cambridge University Press, 1976.
Brisman, Susan Hawk. “‘Unsaying His High Language’: The Problem of Voice in Prometheus Unbound.” Studies in Romanticism 16 (1977): 51–86.
Bronson, Bertrand Harris. “Strange Relations: The Author and His Audience.” In Facets of Enlightenment: Studies of English Literature and Its Contexts. Berkeley: University of California Press, 1968. 298–325.
Buckley, Jerome. The Victorian Temper. New York: Vintage, 1964.
Burke, Edmund. Reflections on the Revolution in France. Ed. Conor Cruise O'Brien. 1790. Harmondsworth: Penguin, 1968.
Burke, EdmundThe Works and Correspondence of the Right Honourable Edmund Burke. 8 vols. London, 1852.
Burke, EdmundBurke's Politics: Selected Writings and Speeches of Edmund Burke on Reform, Revolution, and War. Ed. Ross J. S. Hoffman and Paul Levack. New York: Alfred A. Knopf, 1949.
Burke, Kenneth. A Rhetoric of Motives. New York: Prentice-Hall, 1950.
Bush, Douglas. “Tennyson.” In Tennyson's Poetry. 599–602.
Butler, Marilyn. “Shelley and the Empire in the East.” In Shelley: Poet and Legislator of the World. Ed. Betty T. Bennett and Stuart Curran. Baltimore: Johns Hopkins University Press, 1996. 158–68.
Butler, Marilyned. Burke, Paine, Godwin, and the Revolution Controversy. Cambridge: Cambridge University Press, 1984.
Byron, George Gordon, Lord. Byron. The Oxford Authors. Ed. McGann, Jerome J.. Oxford: Oxford University Press, 1986.
Byron, George Gordon, LordThe Complete Miscellaneous Prose. Ed. Nicholson, Andrew. Oxford: Clarendon Press, 1991.
Calhoun, Craig, ed. Habermas and the Public Sphere. Cambridge: MIT Press, 1992.
Cameron, Kenneth Neill. Shelley: The Golden Years. Cambridge: Harvard University Press, 1974.
Cannon, John. Parliamentary Reform, 1640–1832. Cambridge: Cambridge University Press, 1973.
Canuel, Mark. Religion, Toleration, and British Writing, 1790–1830. Cambridge: Cambridge University Press, 2002.
Chandler, James K.Wordsworth's Second Nature: A Study of the Poetry and Politics. Chicago: University of Chicago Press, 1984.
Chandler, James K.“The Pope Controversy: Romantic Poetics and the English Canon.” In Canons. Ed. Hallberg, Robert. Chicago: University of Chicago Press, 1984. 197–225.
Chandler, James K.“Poetical Liberties: Burke's France and the ‘Adequate Representation’ of the English.” In The French Revolution and the Creation of Modern Political Culture. Ed. Furet, François and Ozouf, Mona. Vol. 3. Oxford: Pergamon Press, 1989. 45–58.
Chandler, James K.Hallam, Tennyson, and the Poetry of Sensation: Aestheticist Allegories of a Counter-Public Sphere.” Studies in Romanticism 33:4 (1994): 527–37.
Chandler, James K.England in 1819: The Politics of Literary Culture and the Case of Romantic Historicism. Chicago: University of Chicago Press, 1998.
Chaucer, Geoffrey. The Riverside Chaucer. Ed. Benson, Larry D.. Boston: Houghton Mifflin, 1987.
Chilcott, Tim. A Publisher and His Circle: The Life and Work of John Taylor, Keats's Publisher. London: Routledge & Kegan Paul, 1972.
Christensen, Jerome. “Once an Apostate Always an Apostate.” Studies in Romanticism 21:3 (1983): 461–64.
Christensen, JeromeLord Byron's Strength: Romantic Writing and Commercial Society. Baltimore: Johns Hopkins University Press, 1993.
Coleridge, Samuel Taylor. Biographia Literaria. Ed. Engell, James and Bate, W. Jackson. 2 vols. In The Collected Works of Samuel Taylor Coleridge. Vol. 7. Princeton: Princeton University Press, 1983.
Coleridge, Samuel TaylorCollected Letters of Samuel Taylor Coleridge. Ed. Griggs, Earl Leslie. 6 vols. Oxford: Clarendon Press, 1956–71.
Coleridge, Samuel TaylorThe Friend. Ed. Rooke, Barbara E.. 2 vols. In The Collected Works of Samuel Taylor Coleridge. Vol. 4. London: Routledge & Kegan Paul, 1969.
Coleridge, Samuel TaylorThe Complete Poetical Works of Samuel Taylor Coleridge. Ed. Coleridge, Ernest Hartley. Vol. 2. Oxford: Clarendon Press, 1912.
Collins, A. S.The Profession of Letters: A Study of the Relation of Author to Patron, Publisher, and Public, 1780–1832. London: Routledge, 1928.
Cooper, Andrew. Doubt and Identity in Romantic Poetry. New Haven: Yale University Press, 1988.
Cowden Clarke, Charles and Mary, . Recollections of Writers. London, 1878.
Cox, Jeffrey N.Poetry and Politics in the Cockney School: Keats, Shelley, Hunt and their Circle. Cambridge: Cambridge University Press, 1998.
Crisman, William. “A Dramatic Voice in Keats's Elgin Marbles Sonnet.” Studies in Romanticism 26:1 (1987): 49–58.
Curran, Stuart. “Adonais in Context.” In Shelley Revalued: Essays from the Gregynog Conference. Ed. Everest, Kelvin. Totowa: Barnes & Noble, 1983. 165–82.
Curran, StuartPoetic Form and British Romanticism. New York: Oxford University Press, 1986.
Dawson, P. M. S.The Unacknowledged Legislator: Shelley and Politics. Oxford: Oxford University Press, 1980.
Man, Paul. Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven: Yale University Press, 1979.
Man, PaulThe Rhetoric of Romanticism. New York: Columbia University Press, 1984.
Denecke, Daniel. “The Motivation of Tennyson's Reader: Privacy and the Politics of Literary Ambiguity in The Princess.” Victorian Studies 43:2 (2001): 201–27.
Quincey, Thomas. “The English Mail-Coach, or the Glory of Motion.” In Confessions of an English Opium-Eater and Other Writings. Oxford: Oxford University Press, 1998. 183–233.
Derrida, Jacques. Specters of Marx: The State of Debt, the Work of Mourning, and the New International. Trans. Peggy Kamuf. New York: Routledge, 1994.
Dyer, Gary. “Thieves, Boxers, Sodomites, Poets: Being Flash to Byron's Don Juan.” PMLA 116:3 (2001): 562–78.
Edwards, Thomas R.Imagination and Power: A Study of Poetry on Public Themes. New York: Oxford University Press, 1971.
Eilenberg, Susan. Strange Power of Speech: Wordsworth, Coleridge, and Literary Possession. New York: Oxford, 1992.
Eley, Geoff. “Nations, Publics, and Political Cultures: Placing Habermas in the Nineteenth Century.” In Calhoun, ed. Habermas and the Public Sphere. 289–339.
Eliot, T. S.The Use of Poetry and the Use of Criticism. 1933. Cambridge: Harvard University Press, 1964.
Eliot, T. S.“The Metaphysical Poets.” 1921. In Selected Prose of T. S. Eliot. Ed. Kermode, Frank. New York: Harcourt Brace, 1975. 59–67.
Erickson, Lee. The Economy of Literary Form: English Literature and the Industrialization of Publishing. Baltimore: Johns Hopkins University Press, 1996.
Feldman, Paula R. “Endurance and Forgetting: What the Evidence Suggests.” In Linkin and Behrendt, eds. Romanticism and Women Poets. 16–21.
Ferguson, Frances. Wordsworth: Language as Counter-Spirit. New Haven: Yale University Press, 1977.
Ferguson, FrancesSolitude and the Sublime: Romanticism and the Aesthetics of Individuation. New York: Routledge, 1992.
Finch, Casey and Bowen, Peter. “‘The Tittle-Tattle of Highbury’: Gossip and the Free Indirect Style in Emma.” Representations 31 (1990): 1–18.
Fish, Stanley. “Authors-Readers: Jonson's Community of the Same.” Representations 7 (1984): 26–58.
Foot, Paul. Red Shelley. London: Sidgwick and Jackson, 1980.
Foucault, Michel. “What Is an Author?” Trans. Josué V. Harari. In Textual Strategies: Perspective in Post-Structuralist Criticism. Ed. Harari, Josué V.. Ithaca: Cornell University Press, 1979. 141–160.
Fraistat, Neil. “Illegitimate Shelley: Radical Piracy and the Textual Edition as Cultural Performance.” PMLA 109:3 (1994): 409–23.
Furniss, Tom. Edmund Burke's Aesthetic Ideology: Language, Gender, and Political Economy in Revolution. Cambridge: Cambridge University Press, 1993.
Gallagher, Catherine. The Industrial Revolution of English Fiction. Berkeley: University of California Press, 1985.
Gallagher, CatherineNobody's Story: The Vanishing Acts of Women Writers in the Marketplace, 1670–1820. Berkeley: University of California Press, 1994.
Gamer, Michael. Romanticism and the Gothic: Genre, Reception, and Canon Formation. Cambridge: Cambridge University Press, 2000.
Gilbert, Sandra and Gubar, Susan. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale University Press, 1979.
Gilmartin, Kevin. Print Politics: The Press and Radical Opposition in Early Nineteenth-Century England. Cambridge: Cambridge University Press, 1996.
Gilmartin, Kevin“Burke, Popular Opinion, and the Problem of a Counter-Revolutionary Public Sphere.” In Edmund Burke's Reflections on the Revolution in France: New Interdisciplinary Essays. Ed. Whale, John. Manchester: Manchester University Press, 2000. 94–114.
Goldsmith, Steven. Unbuilding Jerusalem: Apocalypse and Romantic Representation. Ithaca: Cornell University Press, 1993.
Griffin, Robert J.Wordsworth's Pope: A Study in Literary Historiography. Cambridge: Cambridge University Press, 1995.
Grimes, Kyle. “Queen Mab, the Law of Libel, and the Forms of Shelley's Politics.” Journal of English and German Philology 94:5 (1995): 1–18.
Gunn, J. A. W.Beyond Liberty and Property. Montreal: McGill-Queen's University Press, 1983.
Habermas, Jürgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Trans. Thomas Burger, with the assistance of Frederick Lawrence. 1962. Cambridge: MIT Press, 1989.
Habermas, JürgenThe Public Sphere: An Encyclopedia Article.” 1964. Trans. Sara Lennox and Frank Lennox. New German Critique 3 (1974): 49–55.
Halévy, Elie. The Growth of Philosophical Radicalism. Trans. Mary Morris. Preface by A. D. Lindsay. 1928. London: Faber & Faber, 1949.
Haley, Bruce. Living Forms: Romantics and the Monumental Figure. Albany: State University of New York Press, 2002.
Hallam, Arthur Henry. “On Some of the Characteristics of Modern Poetry, and on the Lyrical Poems of Alfred Tennyson.” In Victorian Poetry and Poetics. Ed. Houghton, Walter E. and Stange, G. Robert. 2nd ed. Boston: Houghton Mifflin, 1968. 848–60.
Hamilton, Paul. Metaromanticism: Aesthetics, Literature, Theory. Chicago: University of Chicago Press, 2003.
Haydon, Benjamin Robert. The Autobiography and Memoirs of Benjamin Robert Haydon. Ed. Taylor, Tom. 2 vols. London: Peter Davies, 1926.
Haydon, Benjamin RobertThe Diary of Benjamin Robert Haydon. Ed. Pope, W. B.. 5 vols. Cambridge: Harvard University Press, 1960–63.
Hazlitt, William. The Complete Works of William Hazlitt. Ed. Howe, P. P.. 21 vols. London: J. M. Dent and Sons, 1930–34.
Heringman, Noah. “Stones so wonderous Cheap.” Studies in Romanticism 37:1 (1998): 43–63.
Hill, Robert W., Jr. “In Defense of Reading Tennyson.” In Tennyson's Poetry. 607–12.
Hofkosh, Sonia. Sexual Politics and the Romantic Author. Cambridge: Cambridge University Press, 1998.
Hogle, Jerrold. Shelley's Process: Radical Transference and the Development of His Major Works. New York: Oxford, 1988.
Holdsworth, William. A History of English Law. 2nd ed. 16 vols. 1925. London: Methuen, 1966.
Holmes, Richard. Shelley: The Pursuit. 1974. New York: E. P. Dutton, 1975.
Holt, Francis Ludlow. The Law of Libel. London, 1812.
Homans, Margaret. “Keats Reading Women, Women Reading Keats.” Studies in Romanticism 29:3 (1990): 341–70.
Howell, T. B. and Jones Howell, Thomas, eds. A Complete Collection of State Trials. 30 vols. London, 1816–22.
Hughes, Daniel. “Prometheus Made Capable Poet in Act One of Prometheus Unbound.” Studies in Romanticism 17 (1978): 3–11.
Hunt, Leigh. Lord Byron and Some of His Contemporaries. London, 1828.
Jack, Ian. Keats and the Mirror of Art. Oxford: Clarendon Press, 1967.
Jacobs, Carol. Uncontainable Romanticism: Shelley, Bronte, Kleist. Baltimore: Johns Hopkins University Press, 1989.
Jacobus, Mary. Tradition and Experiment in Wordsworth's Lyrical Ballads (1798). Oxford: Clarendon Press, 1976.
Janowitz, Anne. “‘A Voice from across the Sea’: Communitarianism at the Limits of Romanticism.” In At the Limits of Romanticism: Essays in Cultural, Feminist, and Materialist Criticism. Ed. Favret, Mary A and Watson, Nicola J.. Bloomington: Indiana University Press, 1994. 83–100.
Janowitz, AnneLyric and Labour in the Romantic Tradition. Cambridge: Cambridge University Press, 1998.
Jeffrey, Francis. “The State of Parties.” Edinburgh Review 15 (1810): 504–21.
Jeffrey, Francis “Review of Records of Woman (2nd ed.) and The Forest Sanctuary (2nd ed.), By Hemans.” In Wolfson, ed. Felicia Hemans. 549–56.
Johnston, Kenneth. Wordsworth andThe Recluse. New Haven: Yale University Press, 1984.
Jump, John D., ed. Tennyson: The Critical Heritage. London: Routledge & Kegan Paul, 1967.
Kaufman, Robert. “Legislators of the Post-Everything World: Shelley's Defence of Adorno.” ELH 63:3 (1996): 707–33.
Keach, William. “Radical Shelley?Raritan 5:2 (1985): 120–29.
Keach, William“Shelley and the Revolutionary Left.” In Evaluating Shelley. Ed. Clark, Timothy and Hogle, Jerrold E.. Edinburgh: Edinburgh University Press, 1996. 75–90.
Keats, John. The Poems of Johns Keats. Ed. Stillinger, Jack. Cambridge: Harvard University Press, 1978.
Keats, JohnThe Letters of John Keats, 1814–1821. Ed. Rollins, Edward Hyder. 2 vols. Cambridge: Harvard University Press, 1958.
Keen, Paul. The Crisis of Literature in the 1790s: Print Culture and the Public Sphere. Cambridge: Cambridge University Press, 1999.
Kelley, Theresa. “Keats, Ekphrasis, and History.” In Keats and History. Ed. Roe, Nicholas. Cambridge: Cambridge University Press, 1995. 212–37.
Kernan, Alvin. Printing Technology, Letters, and Samuel Johnson. Princeton: Princeton University Press, 1987.
Klancher, Jon P.The Making of English Reading Audiences, 1790–1832. Madison: University of Wisconsin Press, 1987.
Knapp, Steven. Literary Interest: The Limits of Anti-Formalism. Cambridge: Harvard University Press, 1993.
Knapp, Steven and Benn Michaels, Walter. “Against Theory 2: Hermeneutics and Deconstruction.” Critical Inquiry 14:1 (1987): 49–68.
Kneale, J. Douglas. Monumental Writing: Aspects of Rhetoric in Wordsworth's Poetry.Lincoln: University of Nebraska Press, 1988.
Kohler, Michael. “Shelley in Chancery: The Reimagination of the Paternalist State in The Cenci.” Studies in Romanticism 37:4 (1998): 545–89.
Kramnick, Isaac. The Rage of Edmund Burke: Portrait of an Ambivalent Conservative. New York: Basic Books, 1977.
Kramnick, Jonathan Brody. “The Making of the English Canon.” PMLA 112:5 (1997): 1087–1101.
Laclau, Ernesto and Mouffe, Chantal. Hegemony and Socialist Strategy: Towards a Radical Democratic Politics. Trans. Winston Moore and Paul Cammack. London: Verso, 1985.
Leavis, F. R. “Shelley.” In Abrams, ed. English Romantic Poets. 345–65.
Levinson, Marjorie. Keats's Life of Allegory: The Origins of a Style. Oxford: Basil Blackwell, 1988.
Levinson, MarjorieWordsworth's Great Period Poems. Cambridge: Cambridge University Press, 1986.
Lewis, C. S. “Shelley, Dryden, and Mr. Eliot.” In Abrams, ed. English Romantic Poets. 324–44.
Linkin, Harriet Kramer and Behrendt, Stephen C., eds. Romanticism and Women Poets: Opening the Doors of Reception. Lexington: University Press of Kentucky, 1999.
Lipking, Lawrence. The Life of the Poet: Beginning and Ending Poetic Careers. Chicago: University of Chicago Press, 1981.
Liu, Alan. Wordsworth: The Sense of History. Stanford: Stanford University Press, 1989.
“Longinus,” On the Sublime. Trans. W. Hamilton Fyfe. In Aristotle, The Poetics; “Longinus,” On the Sublime; Demetrius, On Style. Loeb Classical Library. Cambridge: Harvard University Press, 1960.
Lootens, Tricia. “Hemans and Home: Victorianism, Feminine ‘Internal Enemies,’ and the Domestication of National Identity.” PMLA 109:2 (1994): 238–53.
Lowell, Amy. John Keats. 2 vols. Boston: Houghton Mifflin, 1925.
Lyotard, Jean-François and Thébaud, Jean-Loup. Just Gaming. Trans. Wlad Godzich. Minneapolis: University of Minnesota Press, 1985.
Macpherson, C. B.Burke. Oxford: Oxford University Press, 1980.
Magnuson, Paul. Reading Public Romanticism. Princeton: Princeton University Press, 1998.
Makdisi, Saree. William Blake and the Impossible History of the 1790s. Chicago: University of Chicago Press, 2003.
Manning, Peter J.Byron and His Fictions. Detroit: Wayne State University Press, 1978.
Manning, Peter J.“Wordsworth in The Keepsake, 1829.” In Literature in the Marketplace: Nineteenth-Century British Publishing and the Marketplace. Ed. Jordan, John O. and , Robert L. Patten. Cambridge: Cambridge University Press, 1995. 44–74.
Marsh, Joss. Word Crimes: Blasphemy, Culture, and Literature in Nineteenth-Century England. Chicago: University of Chicago Press, 1998.
Marx, Karl. The Eighteenth Brumaire of Louis Bonaparte. 1852. New York: International Publishers, 1977.
Matthews, G. M., ed. Keats: The Critical Heritage. London: Routledge & Kegan Paul, 1971.
Mayo, Robert. “The Contemporaneity of the Lyrical Ballads.” PMLA 69 (1954): 486–522.
McCalman, Iain. Radical Underworld: Prophets, Revolutionaries and Pornographers in London, 1795–1840. Cambridge: Cambridge University Press, 1988.
McCann, Andrew. Cultural Politics in the 1790s: Literature, Radicalism and the Public Sphere. New York: Palgrave Macmillan, 1999.
McGann, Jerome J.The Beauty of Inflections: Literary Investigations in Historical Method and Theory. Oxford: Clarendon Press, 1985.
McGann, Jerome J.Don Juan in Context. Chicago: University of Chicago Press, 1976.
McGann, Jerome J.Keats and the Historical Method in Literary Criticism.” Modern Language Notes 94:5 (1979): 998–1032.
The Romantic Ideology. Chicago: University of Chicago Press, 1983.
McGill, Meredith L.American Literature and the Culture of Reprinting, 1834–1853. Philadelphia: University of Pennsylvania Press, 2003.
Mee, John. Dangerous Enthusiasm: William Blake and the Culture of Radicalism in the 1790s. Oxford: Clarendon Press, 1992.
Mellor, Anne. Romanticism and Gender. New York: Routledge, 1993.
Mill, John Stuart. “What Is Poetry?” In Mill's Essays on Literature and Society. Ed. Schneewind, J. B.. New York: Collier, 1965. 102–117.
Mitchell, W. J. T.Iconology. Chicago: University of Chicago Press, 1986.
Murphy, Peter T.Poetry as an Occupation and as an Art in Britain, 1760–1830. Cambridge: Cambridge University Press, 1993.
Negt, Oskar and Kluge, Alexander. Public Sphere and Experience: Toward an Analysis of the Bourgeois and Proletarian Public Sphere. Trans. Peter Labanyi, Jamie Owen Daniel, and Assenka Oksiloff. Foreword by Miriam Hansen. Minneapolis: University of Minnesota Press, 1993.
Newlyn, Lucy. Reading, Writing, and Romanticism: The Anxiety of Reception. Oxford: Oxford University Press, 2000.
“How Wordsworth Keeps His Audience Fit.” In Placing and Displacing Romanticism. Ed. Kitson, Peter J.. Aldershot: Ashgate, 2001. 60–72.
Nicolson, Harold. Tennyson: Aspects of his Life, Character and Poetry. 1923. New York: Anchor Books, 1962.
Owen, W. J. B.Wordsworth as Critic. Toronto: University of Toronto Press, 1969.
Ozouf, Mona. “‘Public Opinion’ at the End of the Old Regime.” In The Rise and Fall of the French Revolution. Ed. Blanning, T. C. W.. Chicago: University of Chicago Press, 1996. 90–110.
Page, Judith W.Wordsworth and the Cultivation of Women. Berkeley: University of California Press, 1994.
Paine, Thomas. Rights of Man. 1791. Harmondsworth: Penguin, 1985.
Paley, Morton. “Apocapolitics: Allusion and Structure in Shelley's The Mask of Anarchy.” Huntington Library Quarterly 54:2 (1991): 91–109.
Paulson, Ronald. Representations of Revolution. New Haven: Yale University Press, 1983.
Paulson, RonaldBreaking and Remaking: Aesthetic Practice in England, 1700–1820. New Brunswick: Rutgers University Press, 1989.
Peacock, Markman L. Jr., ed. The Critical Opinions of William Wordsworth. New York: Octagon, 1969.
Perkins, David. Wordsworth and the Poetry of Sincerity. Cambridge: Harvard University Press, 1964.
Pfau, Thomas. Wordsworth's Profession: Form, Class, and the Logic of Early Romantic Cultural Production. Stanford: Stanford University Press, 1997.
Pfau, Thomas“Paranoia Historicized: Legal Fantasy, Social Change, and Satiric Meta-Commentary in the 1794 Treason Trials.” In Behrendt, ed. Romanticism, Radicalism, and the Press. 30–64.
Pinch, Adela. Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen. Stanford: Stanford University Press, 1996.
Pitkin, Hannah. The Concept of Representation. Berkeley: University of California Press, 1967.
Plato, . Phaedrus. Trans. Alexander Nehamas and Paul Woodruff. Indianapolis: Hackett, 1995.
Plotz, John. The Crowd: British Literature and Public Politics. Berkeley: University of California Press, 2000.
Plumb, J. H. “The Commercialization of Leisure in Eighteenth-century England.” In McKendrick, Neil, Brewer, John, and Plumb, J. H.. The Birth of a Consumer Society: The Commercialization of Eighteenth-Century England. Bloomington: Indiana University Press, 1982. 265–285.
Pocock, J. G. A. “Burke and the Ancient Constitution: A Problem in the History of Ideas.” In Politics, Language, and Time: Essays on Political Thought and History. 1971. Chicago: University of Chicago Press, 1989. 202–32.
Pocock, J. G. A.“The Varieties of Whiggism from Exclusion to Reform: A History of Ideology and Discourse.” In Virtue, Commerce, and History: Essays on Political Thought and History, Chiefly in the Eighteenth Century. Cambridge: Cambridge University Press, 1985. 215–310.
Pole, J. R.Political Representation in England and the Origins of the American Republic. London: Macmillan, 1960.
Poovey, Mary. The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen. Chicago: University of Chicago Press, 1984.
Pope, Alexander. The Poems of Alexander Pope. Ed. Butt, John. New Haven: Yale University Press, 1963.
Pottle, Frederick A. “The Case of Shelley.” In Abrams, ed. English Romantic Poets. 366–83.
Rajan, Tilottama. The Supplement of Reading: Figures of Understanding in Romantic Theory and Practice. Ithaca: Cornell University Press, 1990.
Reid, John Phillip. The Concept of Representation in the Age of the American Revolution. Chicago: University of Chicago Press, 1987.
Reiman, Donald H., ed. The Romantic Reviewed: Contemporary Reviews of British Romantic Writers. Part C. 2 vols. New York: Garland, 1972.
“Remarks on Don Juan.” In Byron. The Complete Miscellaneous Prose. 361–65.
Ricks, Christopher. Keats and Embarrassment. Oxford: Clarendon Press, 1974.
Robbins, Bruce. “Introduction: The Public Sphere as Phantom.” In The Phantom Public Sphere. Ed. Bruce, Robbins. Minneapolis: University of Minnesota Press, 1993.
Roberts, Hugh. Shelley and the Chaos of History: A New Politics of Poetry. University Park: Pennsylvania State University Press, 1997.
Roe, Nicholas. John Keats and the Culture of Dissent. Oxford: Clarendon Press, 1997.
Rose, Mark. “The Author as Proprietor: Donaldson v. Becket and the Genealogy of Modern Authorship.” Representations 23 (1988): 51–85.
Rose, MarkAuthors and Owners: The Invention of Copyright. Cambridge: Harvard University Press, 1993.
Ross, Marlon B.Shelley's Wayward Dream-Poem: The Apprehending Reader in Prometheus Unbound.” Keats-Shelley Journal 36 (1987): 110–33.
Ross, Marlon B.The Contours of Masculine Desire: Romanticism and the Rise of Women's Poetry. New York: Oxford University Press, 1989.
Rutherford, Andrew, ed. Byron: The Critical Heritage. New York: Barnes & Noble, 1970.
Rzepka, Charles. The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and Keats. Cambridge: Harvard University Press, 1986.
Saunders, David and Hunter, Ian. “Lessons from the ‘Literatory’: How to Historicise Authorship.” Critical Inquiry 17:3 (1991): 479–509.
Scott, Grant F.Beautiful Ruins: The Elgin Marbles Sonnet in Its Historical and Generic Contexts.” Keats-Shelley Journal 39 (1990): 123–50.
Scrivener, Michael Henry. Radical Shelley: The Philosophical Anarchism and Utopian Thought of Percy Bysshe Shelley. Princeton: Princeton University Press, 1982.
Scrivener, Michael Henryed. Poetry and Reform: Periodical Verse from the English Democratic Press, 1792–1824. Detroit: Wayne State University Press, 1992.
Scrivener, Michael HenrySeditious Allegories: John Thelwall and Jacobin Writing. University Park: Pennsylvania State University Press, 2001.
Shakespeare, William. Macbeth. Ed. Orgel, Stephen. London: Penguin Books, 2000.
Sheats, Paul. The Making of Wordsworth's Poetry, 1785–1798. Cambridge: Harvard University Press, 1973.
Shelley, Mary. The Journals of Mary Shelley, 1814–1844. Ed. Feldman, Paula R. and Scott-Kilvert, Diana. 2 vols. Oxford: Clarendon Press, 1987.
Shelley, Percy Bysshe. Shelley's Poetry and Prose. Ed. Reiman, Donald H. and Fraistat, Neil. 2nd ed. New York: Norton, 2002.
Shelley, Percy ByssheThe Complete Poetical Works of Percy Bysshe Shelley. Ed. Hutchinson, Thomas. Corrected by G. M. Matthews. Oxford: Oxford University Press, 1970.
Shelley, Percy ByssheThe Letters of Percy Bysshe Shelley. Ed. Jones, Frederick L.. 2 vols. Oxford: Clarendon Press, 1964.
Showalter, Elaine. A Literature of Their Own: British Women Novelists from Brontë to Lessing. Princeton: Princeton University Press, 1976.
Simpson, David. Wordsworth's Historical Imagination: The Poetry of Displacement. New York: Methuen, 1987.
Siskin, Clifford. The Work of Writing: Literature and Social Change in Britain, 1700–1830. Baltimore: Johns Hopkins University Press, 1998.
Southey, Robert. The Life and Correspondence of the Late Robert Southey. Ed. Southey, Charles Cuthbert. 6 vols. London, 1849–50.
Spenser, Edmund. The Poetical Works of Edmund Spenser. Ed. Smith, J. C. and Selincourt., E.London: Oxford University Press, 1963.
Sperry, Stuart M.Keats the Poet. 1973. Princeton: Princeton University Press, 1994.
St. Clair, William. Lord Elgin and the Marbles. Oxford: Oxford University Press, 1983.
St. Clair, WilliamThe Reading Nation in the Romantic Period. Cambridge: Cambridge University Press, 2004.
Stabler, Jane. Byron, Poetics, and History, Cambridge: Cambridge University Press, 2002.
Stallybrass, Peter and White, Allon. The Politics and Poetics of Transgression. Ithaca: Cornell University Press, 1986.
Stewart, Susan. Crimes of Writing: Problems in the Containment of Representation. 1991. Durham: Duke University Press, 1994.
Swann, Karen. “Public Transport: Adventuring on Wordsworth's Salisbury Plain.” ELH 55:4 (1988): 533–53.
Swartz, Richard G.Wordsworth, Copyright, and the Commodities of Genius.” Modern Philology 89:4 (1992): 482–509.
Tennyson, Alfred, Lord. The Poems of Tennyson. Ed. Ricks, Christopher. Vol. 1. Berkeley: University of California Press, 1987.
Tennyson, Alfred, Lord. Tennyson's Poetry. Ed. Hill, Robert W. Jr.New York: Norton, 1971.
Thomas, Donald. A Long Time Burning: The History of Literary Censorship in England. New York: Frederick A. Praeger, 1969.
Thompson, E. P.The Making of the English Working Class. 1963. New York: Vintage, 1966.
Tompkins, Jane P. “The Reader in History: The Changing Shape of Literary Response.” In Reader-Response Criticism: From Formalism to Post-Structuralism. Ed. Tompkins, Jane P.. Baltimore: Johns Hopkins University Press, 1980. 201–32.
Tucker, Herbert F.Tennyson and the Doom of Romanticism. Cambridge: Harvard University Press, 1988.
Tucker, Herbert F.House Arrest: The Domestication of Poetry in the 1820s.” New Literary History 25 (1994): 521–48.
Vaux, J. H.Flash Dictionary. London, 1812.
Vendler, Helen. The Odes of John Keats. Cambridge: Harvard University Press, 1983.
Wahrman, Dror. “Public Opinion, Violence and the Limits of Constitutional Reform.” In Re-reading the Constitution: New Narratives in the Political History of England's Long Nineteenth Century. Ed. Vernon, James. Cambridge: Cambridge University Press, 1996. 83–122.
Warner, Michael. Publics and Counterpublics. New York: Zone Books, 2002.
Wasserman, Earl. “The English Romantics: The Grounds of Knowledge.” Studies in Romanticism 4 (1964): 17–34.
Wasserman, EarlShelley: A Critical Reading. Baltimore: Johns Hopkins University Press, 1971.
Welsh, Alexander. Strong Representations: Narrative and Circumstantial Evidence in England. Baltimore: Johns Hopkins University Press, 1992.
Wheatley, Kim. “The Blackwood's Attacks on Leigh Hunt,” Nineteenth-Century Literature 47:1 (1992): 131.
White, Newman Ivey. “Shelley and the Active Radicals of the Early Nineteenth Century.” South Atlantic Quarterly 29:3 (1930): 248–61.
White, R. J., ed. Political Tracts of Wordsworth, Coleridge, and Shelley. Cambridge: Cambridge University Press, 1953.
Wickwar, William H.The Struggle for the Freedom of the Press, 1819–1832. London: George Allen & Unwin, 1928.
Wilde, Oscar. “The Decay of Lying.” In The Soul of Man Under Socialism and Selected Critical Prose. Ed. Dowling, Linda. Harmondsworth: Penguin, 2001. 163–92.
Williams, Raymond. Culture and Society, 1780–1950. 1958. New York: Columbia University Press, 1983.
Wilson, Milton. Shelley's Later Poetry: A Study of His Prophetic Imagination. 1957. New York: Columbia University Press, 1959.
Wimsatt, William K. “The Structure of Romantic Nature Imagery.” In Bloom, ed. Romanticism and Consciousness. 77–88.
Wolfson, Susan J. “‘Romantic Ideology’ and the Values of Aesthetic Form.” In Aesthetics and Ideology. Ed. Levine, George. New Brunswick: Rutgers University Press, 1994. 188–218.
Wolfson, Susan J.“‘Domestic Affections’ and ‘the spear of Minerva’: Felicia Hemans and the Dilemma of Gender.” In Re-visioning Romanticism: British Women Writers, 1776–1837. Ed. Wilson, Carol Shiner and Haefner, Joel. Philadelphia: Pennsylvania University Press, 1994. 128–166.
Wolfson, Susan J.Formal Charges: The Shaping of Poetry in British Romanticism. Stanford: Stanford University Press, 1997.
Wolfson, Susan J.“A Lesson in Romanticism: Gendering the Soul.” In Lessons of Romanticism: A Critical Companion. Ed. Pfau, Thomas and Gleckner, Robert F.. Durham: Duke University Press, 1998. 349–75.
Wolfson, Susan J.“Felicia Hemans and the Revolving Doors of Reception.” In Linkin and Behrendt, eds. Romanticism and Women Poets. 214–41.
Wolfson, Susan J.ed. Felicia Hemans: Selected Poems, Letters, Reception Materials. Princeton: Princeton University Press, 2000.
Wood, Marcus. Radical Satire and Print Culture, 1790–1822. Oxford: Clarendon Press, 1994.
Woodmansee, Martha. “The Genius and the Copyright: Economic and Legal Conditions of the Emergence of the ‘Author.’Eighteenth-Century Studies 17:4 (1984): 425–48.
Woodmansee, MarthaThe Author, Art, and the Market: Rereading the History of Aesthetics. New York: Columbia University Press, 1994.
Woodmansee, Marthaand Jaszi, Peter, eds. The Construction of Authorship: Textual Appropriation in Law and Literature. Durham: Duke University Press, 1994.
Wordsworth, William and Samuel Taylor Coleridge. Lyrical Ballads: The Text of the 1798 Edition with the Additional 1800 Poems and the Prefaces. Ed. Brett, R. L. and Jones, A. R.. 1963. London: Routledge, 1991.
Wordsworth, William and Samuel Taylor ColeridgeThe Poetical Works of William Wordsworth. Ed. Selincourt, Ernest and Darbishire, Helen. Vol. 5. Oxford: Clarendon Press, 1949.
Wordsworth, William and Samuel Taylor ColeridgeThe Prose Works of William Wordsworth. Ed. Owen, W. J. B. and Worthington Smyser, Jane. 3 vols. Oxford: Clarendon Press, 1974.
Wordsworth, William and Samuel Taylor ColeridgeWilliam Wordsworth. The Oxford Authors. Ed. Gill, Stephen. Oxford: Oxford University Press, 1984.
Worrall, David. Radical Culture: Discourse, Resistance, and Surveillance, 1790–1820. Detroit: Wayne State University Press, 1992.
Zall, Paul M.Lord Elgin's Censorship.” PMLA 68 (1953): 436–53.
Zall, Paul M.Wordsworth and the Copyright Act of 1842.” PMLA 70:1 (1955): 132–44.
Zimmerman, Sarah M.Romanticism, Lyricism, and History. Albany: State University of New York Press, 1999.
Zwicker, Steven N. “Lines of Authority: Politics and Literary Culture in the Restoration.” In Politics of Discourse: The Literature and History of Seventeenth-Century England. Ed. Sharpe, Kevin and Zwicker, Steven N.. Berkeley: University of California Press, 1987. 230–70.

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.