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Book contents
- Frontmatter
- Cotents
- List of Figures
- Acknowledgments
- A Note on the Timeline
- Timeline
- Dedication
- 1 Introduction
- 1 The Left-Wing Film Apparatus in Postwar Hong Kong
- 2 Left in the Right Way: Corporate Strategy and the Making of a Popular left-wing
- 3 Remaking Cantonese Film Culture: Union and Sun Luen
- 4 Class, Gender, and Modern Womanhood: Feng Huang and Great Wall
- 5 Corporate Repositioning, Transnational Cultural Brokerage, and Soft Power: Sil-Metropole
- 6 Critical Transitions on the Non-Left: Patrick Lung and Cecile Tang
- 7 From Political Alibis to Creative Incubators: the Left-Wing Film network since the 1980s
- Epilogue
- Bibliography
- Filmography
- Index
Index
Published online by Cambridge University Press: 17 September 2020
- Frontmatter
- Cotents
- List of Figures
- Acknowledgments
- A Note on the Timeline
- Timeline
- Dedication
- 1 Introduction
- 1 The Left-Wing Film Apparatus in Postwar Hong Kong
- 2 Left in the Right Way: Corporate Strategy and the Making of a Popular left-wing
- 3 Remaking Cantonese Film Culture: Union and Sun Luen
- 4 Class, Gender, and Modern Womanhood: Feng Huang and Great Wall
- 5 Corporate Repositioning, Transnational Cultural Brokerage, and Soft Power: Sil-Metropole
- 6 Critical Transitions on the Non-Left: Patrick Lung and Cecile Tang
- 7 From Political Alibis to Creative Incubators: the Left-Wing Film network since the 1980s
- Epilogue
- Bibliography
- Filmography
- Index
Summary
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- Type
- Chapter
- Information
- The Other Side of GlamourThe Left-wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond, pp. 169 - 173Publisher: Edinburgh University PressPrint publication year: 2020