Aguila, Jésus, Le Domaine musical: Pierre Boulez et vingt ans de création contemporaine (Paris: Fayard, 1992)Google Scholar

Anderson, Julian, ‘Messiaen and the Problem of Communication’, in Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 1: Sources and Influences (Farnham: Ashgate, 2013), pp. 257–268Google Scholar

Anderson, Julian, ‘Olivier Messiaen and the Notion of Influence’, Tempo 247 (January 2009), 2–18CrossRefGoogle Scholar

Aragon, Louis, A Wave of Dreams (Une vague de rêves (1924)), trans. Susan Muth (London: Thin Man Press, 2015)Google Scholar

Boivin, Jean, La Classe de Messiaen (Paris: C. Bourgois, 1995)Google Scholar

Boulez, Pierre, ‘The Utopian Years’, in Orientations: Collected Writings, ed. Nattiez, Jean-Jacques, trans. Martin Cooper (London: Faber and Faber, 1986), pp. 411–417Google Scholar

Murray, Brent, Christopher, , ‘Olivier Messiaen’s Timbres-Durées’, in Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 1: Sources and Influences (Farnham: Ashgate, 2013), pp. 123–142Google Scholar

Broad, Stephen Olivier Messiaen: Journalism 1935–1939 (Farnham: Ashgate, 2012)Google Scholar

Cheong, Wai-Ling, ‘Symmetrical Permutation, the Twelve Tones, and Messiaen’s Catalogue d’oiseaux’, Perspectives of New Music 45.1 (Winter 2007), 110–136Google Scholar

Cœuroy, André, ‘Manifeste et concert des “Jeune France”’, Beaux-Arts, 5 June 1936Google Scholar

Daniel-Lesur, Jean-Yves, ‘Revue de la presse musicale: Trois petites Liturgies de la Présence Divine d’Olivier Messiaen’, Revue musicale de la France, 1 April 1946Google Scholar

Delamain, Jacques, Why Birds Sing, trans. Ruth Sarason and Anne Sarason (London: Victor Gollancz, 1932)Google Scholar

Demarquez, Suzanne, ‘Le Catalogue d’oiseaux d’Olivier Messiaen’, Guide du concert 233 (1 May 1959), 42Google Scholar

Demarquez, Suzanne, ‘Premières auditions … Domaine musical (Gaveau 30.3)’, Guide du concert 151 (12 April 1957), 893Google Scholar

Dingle, Christopher, and Fallon, Robert (eds.), Messiaen Perspectives 2: Techniques, Influence and Reception (Farnham: Ashgate, 2013)Google Scholar

Dingle, Christopher, The Life of Messiaen (Cambridge: Cambridge University Press, 2007)Google Scholar

Dingle, Christopher, Messiaen’s Final Works (Farnham: Ashgate, 2013)Google Scholar

Dingle, Christopher, ‘Sacred Machines: Fear, Mystery and Transfiguration in Messiaen’s Mechanical Procedures’, in Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 2: Techniques, Influence and Reception (Farnham: Ashgate, 2013), pp. 13–32Google Scholar

Dingle, Christopher, ‘Yvonne Loriod as Source and Influence’, in Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 1: Sources and Influences (Farnham: Ashgate, 2013), pp. 197–212Google Scholar

Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 1: Sources and Influences (Farnham: Ashgate, 2013)Google Scholar

Dingle, Christopher and Nigel, Simeone (eds.), Olivier Messiaen: Music, Art and Literature (Aldershot: Ashgate, 2007)Google Scholar

Fallon, Robert, ‘The Record of Realism in Messiaen’s Bird Style’, in Dingle, Christopher and Simeone, Nigel (eds.), Olivier Messiaen: Music, Art and Literature (Aldershot: Ashgate, 2007), pp. 115–136Google Scholar

Freeman, Robin, ‘Courtesy towards the Things of Nature’, Tempo 192 (April 1995), 9–14Google Scholar

Goehr, Alexander, Finding the Key: Selected Writings, ed. Derrick Puffett (London: Faber and Faber, 1998)Google Scholar

Goléa, Antoine, Rencontres avec Olivier Messiaen (Paris: René Julliard, 1960)Google Scholar

Griffiths, Paul, Olivier Messiaen and the Music of Time (London: Faber and Faber, 1985)Google Scholar

Halbreich, Harry, Olivier Messiaen (Paris: Fayard, 1980)Google Scholar

Hill, Peter, ‘From Réveil des oiseaux to Catalogue d’oiseaux: Messiaen’s Cahiers de notations des chants d’oiseaux, 1952–59’, in Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 1: Sources and Influences (Farnham: Ashgate, 2013), pp. 143–174Google Scholar

Hill, Peter, (ed.), The Messiaen Companion (London: Faber and Faber, 1995)Google Scholar

Hill, Peter and Simeone, Nigel, Messiaen (New Haven and London: Yale University Press, 2005) [PH/NS]Google Scholar

Hill, Peter and Simeone, Nigel, Olivier Messiaen: Oiseaux exotiques (Aldershot: Ashgate, 2007)Google Scholar

Howat, Roy, The Art of French Piano Music (New Haven and London: Yale University Press, 2009)Google Scholar

Hüe, François and Etchécopar, R. D., Les Oiseaux du Proche et du Moyen Orient (Paris: Boubée, 1970)Google Scholar

Jameux, Dominique, Pierre Boulez, trans. Susan Bradshaw (London: Faber and Faber, 1991)Google Scholar

Klingsöhr-Leroy, Cathrin and Grosenick, Uta (eds.), Surrealism (Cologne: Taschen, 2004)Google Scholar

Legge, Elizabeth, ‘Posing Questions: Max Ernst’s Au rendez-vous des amis’, Art History 10 (June 1987), 227–243Google Scholar

Loriod-Messiaen, Yvonne, ‘Olivier Messiaen: Relevé des concerts, des classes et des évènements de la vie d’Olivier Messiaen notées au jour le jour sur ses agendas depuis 1939’ (unpublished) [OMR]Google Scholar

Louvier, Alain, Messiaen et le concert de la nature (Paris: Cité de la musique – Les Editions, 2012)Google Scholar

Macfarlane, Robert, The Wild Places (London: Granta Books, 2008)Google Scholar

Marks, Dennis (executive producer), ‘Messiaen at 80’, TV programme, BBC, 10 December 1988Google Scholar

Massin, Brigitte, Olivier Messiaen: une poétique du merveilleux (Aix-en-Provence: Editions Alinéa, 1989)Google Scholar

Messiaen, Olivier, ‘Autour d’une parution’, Le Monde musical, 30 April 1939Google Scholar

Messiaen, Olivier, Catalogue d’oiseaux, 7 vols. (Paris: Alphonse Leduc, 1964).Google Scholar

Messiaen, Olivier, ‘Entretien avec Claude Samuel: réalisé à Paris en Octobre 1988’, liner note to Erato/Warner CD, trans. Stuart WaltersGoogle Scholar

Messiaen, Olivier, ‘La Nature, les chants d’oiseaux’, Guide du concert 229 (3 April 1959), 1093–1094Google Scholar

Messiaen, Olivier, Technique de mon langage musical, 2 vols. (Paris: Alphonse Leduc, 1944)Google Scholar

Messiaen, Olivier, Technique de mon langage musical (Paris: Alphonse Leduc, 1999)Google Scholar

Messiaen, Olivier, The Technique of My Musical Language, trans. John Satterfield, 2 vols. (Paris: Alphonse Leduc, 1956)Google Scholar

Messiaen, Olivier, The Technique of My Musical Language, trans. John Satterfield (Paris: Alphonse Leduc, 2001 [1956])Google Scholar

Messiaen, Olivier, Traité de rythme, de couleur et d’ornithologie: en sept tomes (Paris: Alphonse Leduc, 1994–2002)Google Scholar

Röβler, Almut, Contributions to the Spiritual World of Olivier Messiaen (Duisberg: Gilles and Francke, 1986)Google Scholar

Rostand, Claude, review of Catalogue d’oiseaux world premiere, Le Monde, 18 April 1959Google Scholar

Saint-Jean, Robert de, ‘C’est le merle noir et non le rossignol qui inspire Olivier Messiaen: à quarante ans, le musicien se prépare à écrire l’opéra dont il rêve depuis son enfance’, France-Soir, 28–29 March 1948Google Scholar

Samuel, Claude, Music and Color: Conversations with Claude Samuel, trans. E. Thomas Glasow (Portland: Amadeus, 1994)Google Scholar

Sauvage, Cécile, Œuvres complètes (Paris: La Table Ronde, 2002)Google Scholar

Schaeffer, Pierre, In Search of a Concrete Music, trans. Christine North and John Dack (Berkeley, CA: University of California Press, 2012)CrossRefGoogle Scholar

Johnson, Sherlaw, Robert, , Messiaen, 2nd paperback edn, updated and with additional text by Caroline Rae (London: Omnibus Press, 2008 [1975])Google Scholar

Smalley, Roger, review of English Bach Festival 1967, in ‘Festivals’, The Musical Times 108.1494 (August 1967), 730–731Google Scholar

Weller, Philip, ‘L’Ame en Bourgeon: Translation and Afterword’, in Dingle, Christopher and Simeone, Nigel (eds.), Olivier Messiaen: Music, Art and Literature (Aldershot: Ashgate, 2007), pp. 191–278Google Scholar

Weller, Philip, ‘Messiaen, the Cinq rechants and “Spiritual Violence”’, in Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 1: Sources and Influences (Farnham: Ashgate, 2013), pp. 279–312Google Scholar

Xenakis, Iannis, Arts/Sciences: Alloys. The Thesis Defense of Iannis Xenakis, trans. Sharon Kanach (New York: Pendragon Press, 1985)Google Scholar