In reflecting on Weep Not, Child, I think it is important to first talk about James Ngũgĩ who became James Thiong'o Ngũgĩ in 1960 then later Ngũgĩ wa Thiong'o. I think it is also useful to build the context of the definition of key literary concerns in the East African region that revolved around the publication of Weep Not, Child, including a summary appraisal of Ngũgĩ's time at Makerere University College in the East Africa of the late 1950s and early 1960s. Ngũgĩ himself has said a lot about this time in his essays and memoirs. In fact, because he takes this time as definitive for himself as an author, he has now written a memoir, Birth of a Dream Weaver, specifically remembering his time at Makerere. Ngũgĩ has made his attachment to Makerere a public matter, and many of us know that whenever it is possible for him to come back to visit Makerere, however briefly, he does so. He visited Makerere University again in July 2013 to celebrate 50 years of the University of East Africa. My own impression is that while Ngũgĩ has traveled and his literary work has gone places, his time at Makerere remains important to him as a writer. During Ngũgĩ's time, as he humorously commented in his keynote address at Makerere University in 2013, denying someone entry to Makerere was like denying him a wife. It was that fundamental.

I have read some of the materials on Ngũgĩ's time at Makerere in the University library's archive, and these reveal the vibrant spirit of the period and the power of the sense of change in the 1960s. There is also an abundance of comments on Ngũgĩ in this archive. In a letter of recommendation written on 13th November, 1963, a year before the publication of Weep Not, Child, Professor G. Walton, the then Head of the English Department, describes Ngũgĩ as