Book contents
- Music in the Georgian Novel
- Music in the Georgian Novel
- Copyright page
- Dedication
- Contents
- Illustrations
- Book part
- Introduction
- Part I Sound and sense: moral issues
- Part II Sentiment and sensibility
- Part III Sweet music and the sublime
- Part IV Music as a vehicle for female identity
- 16 The musical and novelistic perimeters of feminine sensibility
- 17 Intimations of musical gendering: Anne Hughes,Caroline
- 18 Instruments of a new sensibility27
- 19 Sensibility and affectation: Jane West, Maria Edgeworth, Elizabeth Inchbald and Sydney Owenson
- 20 Variations on a feminine theme: Frances Burney’s musical heroines
- 21 Jane Austen: music, woman and the middle way
- Conclusion
- Notes
- Bibliography
- Index
19 - Sensibility and affectation: Jane West, Maria Edgeworth, Elizabeth Inchbald and Sydney Owenson
from Part IV - Music as a vehicle for female identity
Published online by Cambridge University Press: 05 August 2015
- Music in the Georgian Novel
- Music in the Georgian Novel
- Copyright page
- Dedication
- Contents
- Illustrations
- Book part
- Introduction
- Part I Sound and sense: moral issues
- Part II Sentiment and sensibility
- Part III Sweet music and the sublime
- Part IV Music as a vehicle for female identity
- 16 The musical and novelistic perimeters of feminine sensibility
- 17 Intimations of musical gendering: Anne Hughes,Caroline
- 18 Instruments of a new sensibility27
- 19 Sensibility and affectation: Jane West, Maria Edgeworth, Elizabeth Inchbald and Sydney Owenson
- 20 Variations on a feminine theme: Frances Burney’s musical heroines
- 21 Jane Austen: music, woman and the middle way
- Conclusion
- Notes
- Bibliography
- Index
Summary
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- Information
- Music in the Georgian Novel , pp. 230 - 246Publisher: Cambridge University PressPrint publication year: 2015