Book contents
- Music in the Georgian Novel
- Music in the Georgian Novel
- Copyright page
- Dedication
- Contents
- Illustrations
- Book part
- Introduction
- Part I Sound and sense: moral issues
- 1 Prelude: Italian opera and English oratorio
- 2 The English Orpheus
- 3 Damnable pleasures
- 4 The natural voice and the ideal of purity
- 5 Malodorous soundscapes and musical incenses
- Part II Sentiment and sensibility
- Part III Sweet music and the sublime
- Part IV Music as a vehicle for female identity
- Conclusion
- Notes
- Bibliography
- Index
1 - Prelude: Italian opera and English oratorio
from Part I - Sound and sense: moral issues
Published online by Cambridge University Press: 05 August 2015
- Music in the Georgian Novel
- Music in the Georgian Novel
- Copyright page
- Dedication
- Contents
- Illustrations
- Book part
- Introduction
- Part I Sound and sense: moral issues
- 1 Prelude: Italian opera and English oratorio
- 2 The English Orpheus
- 3 Damnable pleasures
- 4 The natural voice and the ideal of purity
- 5 Malodorous soundscapes and musical incenses
- Part II Sentiment and sensibility
- Part III Sweet music and the sublime
- Part IV Music as a vehicle for female identity
- Conclusion
- Notes
- Bibliography
- Index
Summary
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- Information
- Music in the Georgian Novel , pp. 13 - 27Publisher: Cambridge University PressPrint publication year: 2015