Book contents
- Frontmatter
- Contents
- Acknowledgements
- 1 Introduction: Reading ‘Self’ in a Semi-Autobiographical Author
- 2 Sense of Exile: An Anglo-Indian Context
- 3 Text versus Context: Space and Time in The Room on the Roof and Vagrants in the Valley
- 4 Quest for an Authentic Literary Grain: Two Versions of ‘The Eyes are not Here’
- 5 Conscious/Unconscious Dialectic: Stories of the Mid-Career
- 6 Invoking History to Resist Drives: Tension Revisited in A Flight of Pigeons
- 7 Self in Abject Space: ‘The Playing Fields of Shimla’
- 8 Conclusion: Self in Liminal Space
- References
- Index
- Frontmatter
- Contents
- Acknowledgements
- 1 Introduction: Reading ‘Self’ in a Semi-Autobiographical Author
- 2 Sense of Exile: An Anglo-Indian Context
- 3 Text versus Context: Space and Time in The Room on the Roof and Vagrants in the Valley
- 4 Quest for an Authentic Literary Grain: Two Versions of ‘The Eyes are not Here’
- 5 Conscious/Unconscious Dialectic: Stories of the Mid-Career
- 6 Invoking History to Resist Drives: Tension Revisited in A Flight of Pigeons
- 7 Self in Abject Space: ‘The Playing Fields of Shimla’
- 8 Conclusion: Self in Liminal Space
- References
- Index
Summary
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- Type
- Chapter
- Information
- Locating the Anglo-Indian Self in Ruskin BondA Postcolonial Review, pp. v - viPublisher: Anthem PressPrint publication year: 2011